Diana Khoo 25/03/19, 06:13 pm
There is no place quite like the Maldives when it comes to gin-clear waters and world-class resorts. But the Joali Maldives exceeds expectations by offering an amazing array of artworks as well as cutting-edge design and architecture at its luxurious-beyond-belief property.
SINGAPORE (Mar 18): Just the very whisper of the Maldives is enough to send shivers of delight down any sea-loving sybarite’s spine. After all, it could well pass as a byword for a paradise destination complete with every conceivable five-star luxury and images of little over-water villas set in lagoons that are no less than fifty shades of blue. Very nice but very expected. The recent opening of the Joali Maldives, however, will enchant even the most jaded jet-setter.
First thing: It is not part of the usual big chains that have dominated several of the thousand-plus coral islands that make up the Maldives’ chain of 26 atolls. The Joali is a new, brave and, frankly, beautiful effort by the Turkish family-owned Gürallar Group, who makes their money in machinery, roof tiles and glassware, including the Lav brand, which is currently the sixth-largest glassware manufacturer in the world. One of its scions, Esin Güral Argat, had always loved her visits to this Indian Ocean destination and felt it was time to make a solid (and business-savvy) commitment to it: by building a resort that would encapsulate all the magic of the Maldives with a unique, engaging approach.
Second, the Joali sets itself apart from other luxury resorts by offering such an impressive array of art and design, all cleverly blended among lush surroundings, that you feel like you are walking through an island gallery conceived by Gauguin.
After a 45-minute seaplane journey from Velana Airport in Malé to the Raa Atoll, the final approach to Joali is nothing short of breathtaking, arriving at an Atölye4n-designed jetty that looks as if Zaha Hadid herself sculpted a manta ray or perhaps imitated the undulation of the ocean waves out of thatch. Besides the works of art in each villa, every turn of a corner affords something to delight the senses. Patterned wood panels by South African-based Ardmore pay tribute to the Maldivian grey heron, several of which can be seen roaming around the island all the time, while sunset cocktails taken around a staggering 10,000-lb table that looks like a blend of Gaudi-esque and Niki de Saint Phalle sensibilities and created by Brooklyn-based Misha Kahn give fresh frisson to the term “happy hour”.
Meander a little further and you would soon come across Cape Town-based vernacular architect Porky Hefer’s “inhabitable nests” that take their shape from various local wildlife, including a sea-facing swing in the shape of a heron’s head. The most awe-inspiring piece, however, is undoubtedly his manta ray tree house which invites you (and up to seven friends) to climb in and snuggle up within its “belly” with a good book and a long cocktail. Immersive, interactive art? We certainly approve.
Given that the Gürallar Group’s name carries a lot of weight, it was no surprise that celebrated Turkish design studio Autoban also came in to lend its touch. For those unfamiliar with founders Seyhan Özdemir and Sefer Cağlar’s handiwork (voted Best Young Designers by Wallpaper* in 2005), if you ever passed through Baku’s extraordinary Heydar Aliyev International Airport or perhaps whiled away a few hours at Turkish Airlines’ world-class CIP lounge in Istanbul (voted by Skytrax as the world’s best business class lounge) or even dined at restaurant impresario Alan Yau’s Duck + Rice in London, just know that you have been Autoban-ed without being aware of it. And the pleasure of staying at Joali is being able to discover and delight in all its design-conscious touches, from green quartzite quarried in Norway for the bathrooms to soaring ceilings that easily evoke a sense of tropical cool.
Immersing oneself in mind-blowing art and design can also make it all too easy to forget that you are, in fact, supposed to adopt a lotus-eater’s lifestyle. But if you wish to do more than soak in the aquamarine ocean, sun by the poolside or fall into a transcendental state of bliss at the stunning ESPA-managed spa (home to a grey and white marble hammam that is one of the most beautiful I have ever seen), rest assured the Joali also provides for those who like to be physically or intellectually diverted.
Naturally, every wish may be granted here, from diving with manta rays to sailing in a traditional dhoni (sailboat). But given that it is Joali’s raison d’être to combine nature, luxury and art, Kahn was also commissioned to create an underwater coral garden made of mosaic sculptures, which kind of makes the idea of a day’s kayaking, however beautiful the Joali fleet of glass kayaks are, pale a little in the offering stakes.
For guests with pampered palates who fear being caught on a coral island for a week’s stay and be inadvertently let down or bored by the resort’s F&B, Joali’s attention to detail will allow for no such travesty. Presiding over the property is Ashley Goddard and his crack team of chefs who have put together a pleasing melange of four distinct dining places: Japanese restaurant and bar Saoke; Vandhoo Restaurant, where a wide choice of Southeast Asian, Chinese and Mediterranean cuisine is available; Bellini’s, for hearty yet contemporary Italian food; and Mura Bar, where the menu is a mix of Mediterranean favourites and Maldivian dishes.
The etymologists among us might wonder at the resort’s name and we discovered it is Dhivehi for “hammock”, ideal for the languid way of life you find yourself so easily slipping into after a few days here. But the word that struck me as most apt for Joali, however, was the Hindi word jadugar , which means magician or wizard and is the name given to the butlers who look after all guests in the 73 private beach and water villas scattered throughout the island. Chances are, as you watch your hopefully more than once-in-a-lifetime holiday of dreams unfold, you would wholeheartedly agree with me.
Diana Khoo is editor of the Options desk at The Edge Malaysia
This article appeared in Issue 873 (Mar 18) of The Edge Singapore.
Let ‘Kim and Pashi’ spice up your kitchen
Local news Let ‘Kim and Pashi’ spice up your kitchen To celebrate this momentous feat, the couple will be sharing their culinary skills at an ‘Evening with Kim and Pashi’ at the Big Easy Winebar and Grill, Hilton Hotel, on March 27, at 7pm. 7 hours ago The Spice King and Queen have arrived: Kim and Pashi have created the Lady Tiffin Spice Emporium to add a unique flavour and taste to any meal.
After being titled the ‘Spice King and Queen’ by renowned chefs David Higgs and J Something, it’s no surprise that My Kitchen Rules (MKR) season two finalists, Kamisha Naidoo and Pashi Reddy, have launched their own premium spice range, Lady Tiffin Spice Emporium.
To celebrate this momentous feat, the couple will be sharing their culinary skills at an ‘Evening with Kim and Pashi’ at the Big Easy Winebar and Grill, Hilton Hotel, on March 27, at 7pm.
The food lovers made their way into the hearts of local and international fans after participating in the culinary show and making it to the finals.
Speaking about the Lady Tiffin spice brand, Pashi said it is a range of premium spice blends which comes in the form of five variants, each unique in flavour and character.
Their inspiration behind the brand came from popular Indian Tiffin boxes which are used to pack lunches.
Kim explained, “They are made by loving and strong matriarchs who use these tiffins to this day to make beautiful meals for their working husbands. The brand today celebrates the importance of the role of strong women in the home and in the workplace and is a testament to the growth and how far we have come as a society. Lady Tiffin is now a symbol that that a strong women can be both in the workforce and in the home and that men as well as women have role in the home.”
Their spice concoctions came about after meeting with many fans who were eager to get their hands on the couple’s recipes.
“We had realised that a lot of the spices on the market were not blended correctly. With Lady Tiffin we wanted to not skimp on the spices, we wanted to really create a premium blend that packed a punch. The goal was to create an easy to use product range that had a blend for different styles of curries as well as other applications. All you need is two tablespoons and you have an authentic curry that rivals the best restaurants. No more stews!” Pashi quipped.
The happily engaged couple who got betrothed on the show, said they did a lot of research into the development of the spices and looked at what was available in the market.
ALSO READ: Durban food lovers rule the kitchen
“Spices are such an important part of a chef’s pantry whether it is a professional kitchen or in a home, spice makes or breaks any dish. We know spices, we know flavour and we wanted to give the public quality blends that create perfect dishes every time. Many of the spices out there require time and effort, many people do not know what spices pair with each other or the ratios needed. There are big brands that get it wrong. We wanted to really take time and craft something special and we believe we have done so,” Pashi pointed out.
The Durban residents have described life after MKR2 as a ‘whirlwind’ journey.
“There is so much going on right now from the launch of the Lady Tiffin spice range by Kim and Pashi to the brand partnerships. The love and support from the South African and international fan base has been overwhelming. It’s an incredible feeling knowing that we have made our community proud and we can’t thank our fans enough for the warmth and love we receive on a daily basis,” said Pashi.
Kim and Pashi love cooking any meal together, saying “there is no limit to the type of cuisine.”
“We constantly experiment enjoying different dishes from all cultures and backgrounds. Food is so diverse and it would be limiting to pick just one. We urge everyone to expand their palates by experiencing new dishes. Cooking together is always an amazing activity,” Kim said.
The cool duo said their fans have a lot to look forward to over the next few months, with a few announcements on the horizon.
To follow their journey and see what they up to next follow them on Instagram @Kim_pashi or on Facebook: Kim & Pashi.
To purchase their products visit our online store at www.ladytiffin.com or visit the site to find out who is stocking our range. SHARE
lots of spicy food has sweetness and creaminess involved to balance the heat – that’s a fundamental aspect of lots of indian and thai cuisine
Yup, exactly. It’s a shitty way to do it, but if you’re eating instant noodles and frozen shitty mozzarella sticks and crappy dino nuggets, I don’t think you’re gonna take the time to make a proper cream sauce.
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March 25, 2019 – Arts Etc
March 25, 2019 – Arts Etc By 0 Visual Arts
“Circum-am-bience” is an installation of plaster spheres (created with the help of master plasterers from Japan) that capture light in the space created by Washington State University Professor/artist Taiji Miyasaka. Visitors can climb aboard and explore the dark interiors illuminated by a soft ring of light. Hurry as it ends on March 23, 2019. At MadArt in Seattle. 325 Westlake Ave. N. 206-623-1180 or try [email protected]
The figurative sculpture of Calvin Ma is on view in “Blend in Flight” which showcases his adaptations of the childhood toys he found less stressful than other children. Through March 20, 2019. At Abmeyer + Wood Gallery. 1210 2 nd Ave. 206-628-9501.
“Pages From A Kyoto Notebook” is a show of small paintings by Alan Lau (full disclosure, that’s me) inspired by that ancient city on view at the home of art dealer Francine Seders on Sunday, March 24 from 3 – 6pm. 5600 Greenwood Ave. N. For more information, call 206-422-2013.
A retrospective of Japanese printmaker Shigeki Tomura is on view through March 30, 2019. Davidson Galleries. 313 Occidental Ave. S. in Seattle’s Pioneer Square. 206-624-7684 or go to www.davidsongalleries.com .
Bainbridge Island artist Anthea Groves has a show of new work at Pegasus Coffee House now on view through March 31, 2019. For non-local purchase inquires/online, go to pegasusbainbridge.com. 131 Parfitt Way S.W. on Bainbridge Island, WA. 206-317-6914. For more information on the artist, go to http://www.bainbridgereview.com/news/a-simple-life-and-the-circle-of-art/ .
Hedreen Gallery – Lee Center for the Arts on the Seattle University campus off Capitol Hill has the following – “An Object Lesson” has work by Markel Uriu, a Seattle artist who combines organic materials to explore ideas of impermanence, maintenance and decay using the premise of “invasive species”. On view through Sun., May 19, 2019. Veteran Northwest artist Romsom Bustillo draws upon his Mindinao upbringing seeped in a colonial/native history and iconography. The final result in patterns and mark making on paper are images that stay rooted in the memory. Opens May 21, 2019. Wed. – Fri. from 1 – 6pm. 901 12 th Ave. 206-296-2244.
Gould Gallery presents a group show entitled “Memory And Place” with Iranian artist Morehshin Allahyari , interdisciplinary artist Trinh Mai and landscape designer/public artist Sara Zewde. April 3 – May 3, 2019. 11am – 4pm. Wed. – Sat. 3950 University Way N.E. Free. Go to uw.edu/publiclectures/artists for details.
Non-Breaking Space Gallery has a show entitled “Set v. 15” by Na Kim on view through April 9, 2019. Kim uses fine art and graphic design to tease out a combination of geometrical forms from a series started a few years ago in New York. 532 – 1 st Ave. S. For details, go to [email protected] .
Works by George Tsutakawa are included in a show of artists whose works are on consignment in a show entitled “Semi-occasional Secondary Market Exhibition of Excellent Pictures” at Greg Kucera Gallery, Inc. Many of the artists represented are from the Northwest. April 4 – June 1, 2019. 212 Third Ave. S. in Seattle. 206-624-4031 or try [email protected]
At Oxbow Gallery, South Korean artist Chanhee Choi, a DXARTS PhD student uses her traditional technique and blends it with contemporary media such as video, neon lights and games in an installation that examines gender roles in today’s world. On view through April 29, 2019. 6119 – 12 th Ave. S. For details, go to [email protected]
Originally from Japan, Mieko Mintz is known for her unique wearable designs using hand-blocked and stitched textiles from India to make contemporary pieces from her studio in New York City. KOBO at Higo presents new spring arrivals of her one-of-a-kind garments made of vintage sari material and handstiched kantha. Open daily at 604 South Jackson St. 206-381-3000 or [email protected]
Northwest artist Saya Moriyasu is busy these days and her work can be seen all over the region. “2019 Museum of Northwest Art Luminaries” is a group show for Northwest artists that the museum has honored in the past. In includes the work of Moriyasu who was a recipient of the Alfredo Arreguin Award for Mid-Career Artists” as well as work by Denzil Hurley, George Rodriquez and SuttonBeresCuller. On view through March 29, 2019. 121 First Ave. in La Connor, WA. 360-466-4446. She will also have a solo exhibit entitled “Quiet” through April 13, 2019. Sharing the space is Amanda Knowles with new print-based works. G. Gibson Gallery at 104 W. Roy St. in Seattle’s Queen Anne neighborhood. 206-587-4033. She also has two new pieces on view in the region. “MAYA” is a bronze sculpture that went up last year at the corner of Yesler and Broadway at the Batik Apartments across from the Yesler Community Center. Also her “Portraits of Ladies and Man Servers” is an installation made of porcelain on view at AC Hotel in the lobby through May 28, 2021. 208 – 106 th Pl. NE in Bellevue,WA.
Madrona Wine Merchants and Fred Birchman present a two person show of work by community artists Amy Nikaitani and Michelle Kumata. Nikaitani will show sumi paintings, ink drawings and watercolors. Kumata presents work from her “Nihonmachi Portraits” series. The show will be on view from March – April, 2019. Go to https://madronawinemerchants.com/blog/ . For artists interested in showing at this space, contact Fred at [email protected]
“Observing Nature” is a group show in the main gallery that looks at the different ways that nature can be appreciated for inspiration. Includes work in a variety of media by gallery artists Melissa Cole, Tu Duy, Bui Cong Khanh, Hai Duc Le & Thanh Ngor Le, HiH Lights and Hoang Thanh Vinh Phong. Through March 30, 2019. Tacoma-based sculptor June Sekiguchi visited Laos a few years ago and it left a deep impression. So deep that she hopes to summon the powerful flow of the muddy Mekong River within the gallery walls providing visitors with a bridge to cross it as well. Set for the month of Oct., 2019. ArtXchange Gallery at 512 First Ave. S, 206-839-0327 or [email protected] .
Bainbridge Island Museum of Art’s “Momentum” series presents “A Dialogue With Nature: Artist Talk with Z.Z. Wei” on April 20, 2019 at 7pm in the Museum’s Frank Buxton Auditorium. Tickets are $5 – $7. This local artist hails from China and came to the Northwest in 1989. In his talk, he will use video and slides to explain how moving to this country transformed him as a person and artist. He is fascinated by the life and landscape of rural America. 550 Winslow Way E. on Bainbridge Island, WA. 206-842-4451 or try [email protected]
The Friends of Asian Art Association presents a double art event (re-scheduled from February’s snow storm) set for Sunday, April 28, 2019 from 2 – 4pm. Dr. Shiang Yu Lee will give a talk in which she explores the mysteries of the hidden meanings in the Chinese language. Inspired by the Da Vinci Code to dig into the structure and compositions of Chinese words, moving beyond their obvious meanings. Also on view will be paintings by Dr. Agnes Lee that capture the meanings and feelings in Chinese calligraphy expressing them using the meticulous repetition of Chinese characters. An upcoming exhibit of her work will be held at Clarke and Clarke Arts & Artifacts Gallery on Mercer Island. Both Shiang Yu Lee and Agnes Lee’s double event will be held at Lake City Library at 12501 – 28 th Ave. N.E. Pre-registration at http://friendsofasianart.org/ . Another event is “Honey Church Transformed – A Tour & Talk set for May 4, 2019 from 10:30am – 1:30pm. 21301 Tyee Road in Mt. Vernon, WA. See this former Seattle Asian antique institution in their new digs in a rural setting with entertaining stories provided about their antique adventures by owners, John and Laurie Fairman. Pre-register by April 29, 2019. Members get in with two free guests if paid by April 29, 2019. Pre-register for this event by going to http://friendsofasianart.org/eventflyer3.html .
The Museum of Northwest Art presents “Continuum: Works from the Permanent Collection and the Lucy and Herb Pruzan Collection” is an edited visual history of Northwest art from the 1930’s to the present. Includes the work of Paul Horiuchi, Akio Takamori and many others. Opens April 6, 2019. 121 South 1 st St. in La Connor, WA. 360-466-4446.
“Yahaw – Together We Lift The Sky” is a year-long indigenous community-based project culminating in the inaugural exhibition at Seattle Office of Arts & Culture’s ARTS at King Street Station which opens March 23, 2019 from noon – 7pm. “Yahaw” will feature the work of 200+ Indigenous creative at over 20 sites across Seattle and beyond. Curated by Tracy Rector, Asia Tail and Satpreet Kahlon. Learn more at Yehawshow.com. On view through August 3, 2019.
A JCCCW Exhibition entitled “Genji Mihara: An Issei Pioneer” is ongoing. Mihara was an Issei first-generation Japanese immigrant leader who helped to build Japanese culture and community in Seattle. Open M – F from 10am – 5pm. Japanese Cultural and Community Center of Washington is at 1414 S. Weller St. Free. For details, go jcccw.org.
“MY WAR: Wartime Photographs by Vietnam Vets” is a group show that runs from April 5 – June 3, 2019. Showcasing photographs, poems and journal entries by twenty-five Vietnam veterans from around the U.S. At the San Juan Islands Museum of Art. 540 Spring St. in Friday Harbor, WA. 360-370-5050 or go to www.sjma.org.
Asia Pacific Cultural Center has a show every month of a local Asian American artist every month in their gallery.4851 South Tacoma Way in Tacoma. 253-383-3900 or asiapacificculturalcenter.org.
Seattle Art Museum has the following – “Pure Amusements: Chinese Scholar Culture and Emulators”, an installation of Chinese works ranging from prints to sculpture and furnishings to ceramics. The focus is on objects created for, and enjoyed during the intentional practice of leisure. Ongoing. Opening at the John McCone Gallery on the 3 rd floor on March 16, 2019 in the same location is “The Gentleman Warrior: Art of the Samurai” which features two complete sets of samurai armor, screen paintings and a print of the legendary battle between the Tara and Minamoto clans. Seattle Art Museum is located at 1300 First Ave. 206-654-3210 or try www.seattleartmuseum.org .
A new series of “Conversations with Curators” (for SAM members only) takes place on Wednesdays from Jan. 9 – June 19, 2019 at Seattle Art Museum downtown. Doors open at 6:30pm with talks beginning at 7pm. In the SAM auditorium. First in the series are the following –March 20 brings Deputy Director and Curator of European Painting & Sculpture Chiyo Ishikawa and Chief Conservator Nicholas Dorman who will look at three women artists and what they reveal in “There is Also, as in All Gangs, A Woman”.
“Maximalist in Motion” is a show of new work by Chelsea Ryoko Wong that catches the rhythms of the street in a city neighborhood in gouache and watercolor on paper. Through March 30. ZINC Contemporary at 119 Prefontaine Place South. 206-617-5775 or go to zinccontemporary.com/.
Henry Art Gallery has a group show entitled “Between Bodies” through April 29, 2019. It includes sculpture, augmented reality, video, and sound-based works that delve into intimate exchanges and entwined relations between human and more-than-human bodies within contexts of ongoing ecological change. Candace Lin and Patrick Staff are among the participating artists. Located on the UW Seattle campus at 15 th Ave. NE + NE 4lst Street. 206-543-2280 or try henryart.org.
Pacific Bonsai Museum shakes up this Japanese tradition with LAB (Living Art of Bonsai), an experimental collaborative for bonsai innovation This project is a re-sequencing in the order of influence between the bonsai artist, ceramicist and stand maker. The project kicks off in 2018 and continues through 2020. A video trailer from a film about this new process can be viewed at http://www.bonsaimirai.com . Other shows include “Gnarly”, a tribute to “bonsai renegade” Dan Robinson who helped create the Northwest bonsai scene with his innovative designs. Also on view will be “Living Art of Bonsai: Principles of Design” which emphasizes key elements of the art form. Both shows on view May 11 – Sept. 29, 2019. For more information, go to http://www.pacificbonsaimuseum.org . The Pacific Bonsai Museum is at 2515 S. 336 th St. in Federal Way, WA. 206-612-0026 for information.
Portland Art Museum has the following –Sara Roby championed realism and works of art founded in the principles of form and design. A group show entitled “Modern American Realism: Highlights from the Smithsonian’s Sara Roby Foundation Collection” includes the work of Yasuo Kuniyoshi and many other great American artists and it remains on view through April 28, 2019. “The Map Is Not The Territory” on view until May 5, 2019 is a reconsideration of the art of the northwest region. This group show includes the work of Rob Rhee and Henry Tsang among others. It covers the Eastern edge of the Pacific including Oregon, Washington, Vancouver, BC and Alaska. Curated by Grace Kook-Anderson. “Three Masters of Abstraction – Hagiwara Hideo, Ida Shoichi And Takahashi Rikio” looks at some Japanese modern abstract artists. Through May 5, 2019. 1219 S.W. Park Ave. 503-226-2811 or try [email protected] .
Bellevue Arts Museum previously had a retrospective for the late N.W. jewelry artist Ron Ho. They follow it up with “Ron Ho: A Jeweler’s Tale” which looks more closely at his inspirations and how his Chinese roots and world cultures influenced and fed into his own work. With a reconstruction of his studio and the screening of a new documentary entitled “Ron Ho: Becoming Chinese, A Jeweler’s Tale”. May 10 – Sept. 15, 2019.510 Bellevue Way. 425-519-0770 or go to bellevuearts.org.
KOBO at Higo at 604 South Jackson features many small arts & crafts/textile shows and activities inspired by Asia or work by Asian American artists. There is another branch of KOBO on Capitol Hill at 814 E. Roy St. 206-726-0704.
New and recent shows /activities at the The Wing include the following – “ “Lore Re-Imagined: Shadows of Our Ancestors” is curated by Chieko Phillips. It brings together three artists who make work that engages the cultural traditions of previous generations. Satpreet Kahlon uses the embroidery and textile techniques passed on by her mother and grandmother to create soft works with strong cultural subtexts. Alex Anderson uses his ceramic studies in China to probe the moral and physical decay behind seemingly flawless facades. Megumi Shauna Arai’s “Unnamed Lake” uses sashiko (Japanese hand-stiched embroidery) to reflect on the physical, mental and emotional applications of mending. Remains on view through April 14, 2019. “Wham! Bam! Pow! – Cartoons, Turbans & Confronting Hate” remains on view through Feb. 24, 2019. This is an exhibition of work by New York-based cartoonist Vishavjit Singh who wields art and humor to fight intolerance and challenge stereotypes. “A Dragon Lives Here”, part 4 of the ongoing Bruce Lee exhibition series has just opened. This concluding part hones in on Bruce Lee’s Seattle roots and how this region played a key role in shaping Lee and his groundbreaking career. Toddler Story Time set for Thursdays at 11am always has events centered around a kid’s book and an art activity afterwards. A new addition to The Wing’s daily Historic Hotel Tour is “APT 507” which is the story of Au Shee, one Chinese immigrant woman who helped build Seattle’s Chinatown. Her living room is interactive with objects meant to be felt, opened and experienced. NOW let’s look at future shows The Wing is planning this fall and into 2019. “Worlds Beyond Here: The Expanding Universe of APA Science Fiction” is a show that remains on view through Sept. 15, 2019. From onscreen actors to behind-the-scenes writers, creators, artists and animators, learn about the impact Asian Pacific Americans have had and continue to have in science fiction. A mix of literary and pop culture works helps viewers to see how science fiction reflects the times they were written in. It addresses issues related to identity, immigration and race, technology, morality and the human condition. Curated by Mikala Woodward. Includes work by Tamiko Thiel, Simon Kono, June Sekigiuchi, Stasia Burrington, relics from George Takei’s Sulu character on Star Trek, clips & stills from the film, Arrival” based on Bellevue writer Ted Chiang’s story and much more. A group show tentatively titled “Open Housing” shows how community members across the Central Area, Chinatown-ID and Southeast Seattle gather to explore how racial restrictions on where people could live shaped the Seattle we know today and set a vision for those neighborhoods for the next 50 years. March 8, 2019 – Feb. 16, 2020 in the New Dialogues Initiative area. Carina del Rosario curates an exhibit entitled “Wide Angle/Close up: A Self Portrait of the Asian Pacific Islander American Community” from May 10, 2019 – April 19, 2020. Includes photography, video, and photo-based installations by photojournalists that document the community from the inside out. Set for the George Tsutakawa Gallery. “Chinatown in the 1970s” recreates Seattle’s Chinatown in the 1970’s and explores the values and customs that continue to shape the neighborhood today. July 20, 2019 – Jan. 5, 2020 in the KidPLACE Gallery. The Museum is located at 719 South King St. (206) 623-5124 or visit www.wingluke.org . Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.
Poet Jane Wong, currently teaching at Western University enters a new realm with a debut exhibition centered on family entitled “After Preparing the Altar, the Ghosts Feast Feverishly” at Seattle’s Frye Art Museum. Wong explores the themes of hunger and waste and their meaning for immigrant families. Expect altars, sculpture poems and texts that evoke a New Jersey childhood in the Chinese restaurant her parents ran. If she can do with images what she does with words, this show will be sure to haunt. June 1 – Sept. 1, 2019. 704 Terry. 206-622-9250 or go to fryemuseum.org.
“Key to the Collection” is a group show that opened Dec. 22, 2018 and it lets TAM show off some of the treasured gifts from their collection including their legacy of Japanese woodblock prints and various other items. “Places to call Home: Settlements in the West“ is a group show through Feb. 10, 2019 that includes representations of Western cities throughout their history and development featuring immigrant or immigrant-descended artists such as Kenjiro Nomura and Mian Situ. Familiar Faces & New Voices: Surveying Northwest Art” stays on view through the summer of 2019. This group show is a chronological walk through of Northwest art history, illustrated with the works of noted artists from each time period as well as lesser-known but just as important figures. Different works will be displayed throughout the run of this show. Includes the work of Patti Warashina, Roger Shimomura, Joseph Park, Alan Lau (full disclosure, that’s me) and many others. Tacoma Art Museum at 1701 Pacific Ave. 253-272-4258 or email [email protected] or go to www.TacomaArtMuseum.org .
“Land of Joy And Sorrow: Japanese Pioneers of the Yakima Valley” is an ongoing exhibit that traces the story of the Japanese families who settled in the Yakima valley. Yakima Valley Museum at 2105 Tieton Dr. in Yakima, WA. 509-248-0747.
Oregon Nikkei Legacy Center presents the following – “Oregon Nikkei: Reflections of an American Community – ongoing. Beginning this year, visitors can see artifacts of the collection up close as the stacks will be open to see as the staff does filing. 121 NW Second Ave. in Portland. 503-224-1458 or go to www.oregonnikkeir.org .
The Jordan Schnitzer Museum of Art located on the campus of the University of Oregon in Eugene has the following – “Graceful Fortitude: The Spirit of Korean Women” is on view through May 5, 2019. It includes art created by, for and/or about Korean women in all media from the twelfth to the twenty-first century. “Reflections of the Cosmic Web: Intricate Patterns in Daoist Art” remains on view through April 7, 2019. “Vibrance and Serenity: Art of Japanese No Traditional Theatre is on view through August, 2019. It covers the history and performance of No theatre using selected prints by Tsukioka Kogyo (1869 – 1927). 1430 Johnson Lane in Eugene, Oregon. 541-346-3027.
Nikkei National Museum presents the following – The museum has numerous online exhibits as well as offsite exhibits. Check their website for details. The Nikkei National Museum is at 6688 Southoaks Crescent in Burnaby. 604-777-7000 or go to nikkeiplace.org.
Chinese Cultural Centre Museum has the ongoing exhibit “Generation to Generation – History of Chinese Canadians in British Columbia.” 555 Columbia St. Vancouver, BC. 604-658-8880. Admission by donation.
“Blue Green Landscape” is a show of new paintings by Zheng Baizhong on view through April 15, 2019. At Poly Culture Art Center at 100-905 West Pender St. in downtown Vancouver, BC Canada.
Paul Wong’s “Mother’s Cupboard” is on view through March 22, 2019. It reveals his mother’s home-made herb chest with lots of herbal ingredients. This is all part of the artist’s “Occupying Chinatown” series. Dr. Sun Yat-Sen Classical Chinese Garden at 578 Carrall St. in Vancouver,BC. 604-662-3207 or go to vancouverchinesegarden.com.
Hong Kong artist Samson Young presents his work in a solo show entitled “It’s a heaven over there” in a new space for Centre A in the Vancouver International Centre for Contemporary Art” which is situated in a 1980’s era shopping mall in Vancouver’s ever gentrifying Chinatown. The show comes from the artist’s research on the first person born of Chinese descent in Canada. Opening Feb. 23, 2019. 268 Keefer St. 604-683-8326 or go to centrea.org.
“Xie Lei: Xie Lei” is new work inspired by a Monty Python skit entitled “How Not To Be Seen”. On view through March 23, 2019. Z Gallery Arts. 102-1688 W. 1 st in Vancouver, BC. 604-742-2001 or zgalleryarts.com.
An ongoing exhibit entitled “Call for Justice: Fighting for Japanese Canadian Redress (1977-1988)” is on view at Nanaimo Museum at 100 Museum Way in Nanaimo, Canada. 250-753-1821 or go to nanaimomuseum.ca.
Art Gallery of Greater Victoria has two shows and a video installation related to Japan. “Fiona Tan: Ascent” has the international artist presenting a montage film and accompanying photo installation that studies the significance of Mt. Fuji in Japanese visual culture. Opening March 9 is “Quiet Nature: The Woodblock Prints of Walter J. Phillips. This exhibit considers the influence of Japanese printmakers on the artist and his important role in popularizing the Japanese woodcut tradition in Canada. “Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection” showcases key works from the museum’s extensive collection of Japanese prints. 1040 Moss St. in Victoria, BC. 250-384-4171 or go to aggv.ca.
Co-curators Carolyn Brotler Palmer, Mikiko Hirayama and Janice Okada present “Translations: The Art And Life of Elizabeth Yeend Duer -Gyokusho” through April 6, 2019. This exhibit showcases the movement of ideas, aesthetics, politics and people between England, Japan, and Victoria, Canada by looking at the work of Anglo-Japanese artist Elizabeth Yeend Duer (1889 – 1950). Born a British citizen in Nagasaki to an English father and Japanese mother, Duer studied Nihonga (Japanese Style painting) with Atomi Gyokuchi, she took on the artistic identity of Gyokusho and immigrated to Victoria in 1940. Lucky to escape internment during WWII, she Japanized her new environment with Nihonga-style paintings of local indigenous wild flowers. At Legacy Downtown at 630 Yates St. in Victoria BC, Canada. Hours are 10am – 4pm, Wd. To Sat. Go to uvac.uvic.ca for details.
Asian Art Museum, San Francisco has the following. Coming soon to the Larkin St. steps in front of the museum is a giant white sculpture that turns a puppy into the size of an elephant. “Your Dog” is by Yoshitomo Nara. “Kimono Refashioned” is a major exhibition on the evolution of the Japanese kimono created by the Museum in collaboration with the Kyoto Costume Institute. It runs through May 5, 2019. 200 Larkin St. 415-581-3500.
“Then They Came For Me” is a group show of black and white photography that documents the internment of Japanese Americans during WWII. It includes work by Ansel Adams, Dorothea Lange, Toyo Miyatake and many others as well as videos, drawings by Mine Okubo and documentary material of the era. Originally organized by Alphawood Exhibitions of Chicago, the show has also shown at ICP in New York. A Bay Area version of this show presented by the Jonathan Logan Family Foundation in partnership with the National Japanese American Historical society and J-Sei will reconfigure the show pertaining to the West Coast and it will be on view through May 27, 2019 for free at the “Futures Without Violence” Building located in The Presidio at 100 Montgomery St. Hours are Wed. – Sun. from 10am – 6pm (last admittance by 5:30pm). There are Public Tours on Thursdays from 4 – 6pm. Other activities include the following – Free screenings of the documentary film on the internment entitled “And Then They Came for Us” by Abby Ginzberg and Ken Schneider every Sat. & Sun. Performance workshops for “Ikkai:Once” take place on March 24, 2019 from 2 – 4pm. It is a dance exploring the expression of culture-based stories and events related to the incarceration of Japanese Americans during WWII while at the same time questioning our current state of democracy. KAMBARA + DANCERS has partnered with Japanese American visual artist Dana Kawano to support this work design. 415-923-9795 or go to [email protected] .
Berkeley Art Museum has the following – “Boundless: Contemporary Tibetan Artists At Home and Abroad” on view until May 26, 2019 features work by internationally known contemporary Tibetan artists such as Tenzing Rigdol, Gonkar Gyatso and Tsherin Sherpa alongside more historical pieces. “Ink, Paper, Silk: One Hundred Years of Collecting Japanese Art” is on view through April 14, 2019. Includes work by Okamoto Shiki, the Kano School, Nagasawa Rosetsu, Sakae Hoitsu and Tsukioka Yoshitoshi. “Masako Miki/ MATRIX 273” includes work by this Japanese Bay Area artist who creates felt covered forms drawn from Japanese folk belief in Yokai (shape shifters). Through April 28, 2019. 2155 Center St. in Berkeley, CA. 510-642-0808 or go to [email protected] .
The Museum of Craft And Design present “Wanxin Zhang – The Long Journey” on view through July 14, 2019. The artist spent his formative years in China under Mao’s regime. After moving to California in the early 1990’s he became inspired by the work of Voulkos, Arneson and De Staebler. This exhibition is a survey of his ceramic sculpture from 2006 to 2017 in which California Funk meets the Chinese historical monumental clay figure tradition. Presented in partnership with the Catherine Clark Gallery with an exhibition catalog. 2569 Third St. in San Francisco. 415-773-0303 or try [email protected]
LACMA or Los Angeles County Museum of Art has “The Jeweled Isle: Art from Sri Lanka” through June 23, 2019. This is the first comprehensive survey of Sri Lankan art organized by an American museum. 5905 Wilshire Blvd. 323-857-6010.
The Japanese American National Museum has the following shows – “Kaiju vs heroes: Mark Nagata’s Journey through the World of Japanese Toys” feature artist Mark Nagata’s monster’s and superheroes doing battle in an exhibit sure to captivate little and big kids everywhere. On view through March 24, 2019. Limited edition facsimiles of characters in this show fashioned in the sofubi (soft vinyl) method in Japan will be on sale in the gift shop. “Common Ground: The Heart of Community.” This overview exhibit of Japanese American history is ongoing. Opening May 25 and going on through Oct. 20, 2019 is “At First Light: The Dawning of Asian Pacific America”. This multi-media exhibition celebrates and explores the emergence of a politically defined Asian Pacific American consciousness and identity. It draws on the archives of Visual Communications and the museum itself. 100 N. Central Ave. in Los Angeles. 213-625-0414 or go to http://www.janm.org .
“Chiura Obata: An American Modern” is the first retrospective of this noted Bay area artist whose work reflected the glories of the American landscape from the Grand Canyon to Yosemite. His influence could also be felt at UC Berkeley where he had a distinguished teaching career. He also helped found art schools in internment camps during WWII. Curated by ShiPu Wang with a catalogue. The exhibition travels to the following sites. Jan. 18 – March 10, 2019 at Okayama Prefecture Museum of Art in Okayama, Japan (the artist’s hometown), June 23 – Sept. 29, 2019 at Crocker Art Museum in Sacramento.
The Freer/Sackler Gallery on the Smithsonian Mall shows you how religion and art mix in “Encountering the Buddha: Art and Practice Across Asia through Nov. 29, 2020. 202-633-1000 or go to FreerSackler.si.edu for details.
The Metropolitan Museum of Art has the following – “Seeing the Divine: Pahari Paintings of North India” through July 21, 2019. Through Oct. 27, 2019 is a major sculpture exhibition from the 18 th & 19 th century era in the Pacific Islands entitled “Atea: Nature And Divinity In Polynesia.” “Celebrating the Year of the Pig” through July 28, 2019. “Essential Korea” through Sept. 22, 2019. “Streams and Mountains Without End: Landscape Traditions of China” through August 4, 2019. “The Tale of Genji – A Japanese Classic Illuminated” through June 16, 2019. ”Children to Immortals: Figural Representation in Chinese Art” through Feb. 23, 2020. 1000 Fifth Ave. New York, New York. Go to metmuseum.org for details.
The Rubin Museum of Art has the following shows – “Tibetan Buddhist Art” gets a full survey including offerings from the museum’s own collection and objects from the Musee Guimet in Paris, the Cleveland Museum of Art and other institutions. Feb. 1, 2019 – July 15, 2019. “The Power of Intention- Reinventing the (Prayer) Wheel” brings together select examples of traditional and contemporary art to illuminate the relationship between our intentions, commitments and actions. On view March through Oct. 14 th . 150 W. 17 th St. New York, New York. 212-620-5000×344 or go to rubinmuseum.org.
The Japan Society has the following – “Radicalism in the Wilderness: Japanese Artists in the Global 1960’s” is a look at the radical experiments of artists from 1960s Japan little known in the U.S. such as Yutaka Matsuzawa, The Play and GUN art collectives. On view through June 9, 2019. 333 East 47 th St. 212-263-1258.
The Museum of Chinese in America has the following –“With a Single Step: Stories in The Making of America” chronicles the history of the museum through Dec. 31, 2020. “Radical Machines: Chinese in the Information Age” looks at the technologically crucial Chinese typewriter and the role it played in modernization and communication. Through March 24, 2019. “Interior Lives: Photographs of Chinese Americans in the 1980’s by Bud Glick” documents the street life of New York’s Chinatown during a time of major changes. Through March 24, 2019. From May 2 – Sept. 15, 2019 is “The Moon Represents My Heart: Music And Belonging” which explores the tradition of music in Chinese communities. 215 Centre St. New York, NY. 855-955-MOCA or go to mocanyc.org.
The Asia Society Museum in New York presents the following – “In Focus: A Complete Map of the World – The Eighteenth Century Convergence of China and Europe” takes Ma Junliang’s complete map of the world as the starting point to consider interactions between China and Europe during the eighteenth century. Now on view through May 5, 2019. “M. F. Husain: Art And the Nation” focuses on the artist’s mural-sized painting created for Indira Gandhi’s Congress Party rally in 1975. On view through August 4, 2019. “Reza Arameshi: 12 Noon, Monday 5 August, 1963” is a show in which the artist Reza Aramesh examines the power balance between the captor and and captive and the aestheticization of violence in media coverage of wartime atrocities. On view through June 9, 2019. “Masterpieces from the Asia Society Museum Collection” is a group show on view through August, 2019.To find out more, go to AsiaSociety.org/NY. 725 Park Ave. New York City, New York. 212-327-9721 or go to www.asiasociety.org for more details.
The Noguchi Museum has the following – “Akari Unfolded – a Collection by Ymer & Malta” and Akari – Sculptures by Other Means”. Both shows up through April 14, 2019. 9 – 01 33 rd Rd, Long Island City, NY. 718-204-7088.
China Institute Gallery presents “Art of the Mountain: Through the Chinese Photographer’s Lens” on view through August 28, 2019. Located at 100 Washington St. (visitor entrance is at 40 Rector St . on the 2 nd floor) in New York. 212-744-8181 or go to www.chinainstitute.org .
Tallur L. N. is an Indian sculptor who combines Indian craft traditions and novel sculptural techniques to infuse ancient iconography with contemporary meanings. “Multiplicity” is a show that has around thirty works in a variety of mediums, from carved stone and wood to cast bronze and concrete to found objects. May 5, 2019 – Jan. 5, 2020. Grounds for Sculpture at 80 Sculptors Way in Hamilton, New Jersey.609-586-0616 or [email protected] for sculpture.org.
Pakistani-born artist Huma Bhabha’s rugged style of figurative sculpture working with a variety of material from clay and Styrofoam often evokes science-fictional imagery like the aliens currently on the roof of the Met. This large retrospective allows us to see the range of her interests in all phases of her career from masks to photographs and drawings. Through May 27, 2019. Institute of Contemporary Art, 25 Harbor Shore Dr. in Boston, MA. 617-478-3100
Museum of Fine Arts Boston has the following – “Conservation in Action – Japanese Buddhist Sculpture in a New Light” on view through June 30, 2020. 9300 Avenue of the Arts. 465 Huntington Ave. Go to mfa.org or call 617-267-9300.
“Empresses of China’s Forbidden City”, the first major international exhibition to explore the role of empresses in China’s Qing Dynasty (1644-1912). Includes many works never seen before in the U.S. Freer/Sackler Gallery at the Smithsonian Mall in Washington D.C. Through June 23, 2019.
A show of prints by the late Seattle artist Munio Makuuchi is set from August – December, 2019. Art historian Margo Machida will write the catalog essay. 20 Elm St at Bedford Terrace in Northhampton, MA. 413-585-2760 or go to [email protected] .
The Philadelphia Museum of Art’s Chinese Galleries have undergone a $2 million renovation. The new galleries opened to the public on Feb. 3, 2019. They feature a variety of works from treasures created for the afterlife to costumes of the imperial court. There will be a family festival celebrating the Lunar New Year at that time. 2500 Benjamin Franklin Parkway. 215-684-7860 or go to philamuseum.org.
The Minneapolis Institute of Art has the following – “Without Boundaries: Fiber Sculpture & Paintings by Women Artists” featuring work by Yayoi Kusama through July 21, 2019. “Emblems of a Prosperous Life: Women’s Robes of Late Imperial China (1700s-1800s) through June 30, 2018. Minneapolis Institute of Art. 2400 Third Ave. S. Call toll free at 888-642-2787.
“Being Japanese Canadian: reflections on a broken world” is a group show that focuses on the internment camp experience during WWII for Japanese Canadians. Includes the work of Lillian Michiko Blakey, David L. Hayashida, Emma Nishimura, Steven Nunoda, Laura Shintai, Norman Takeukchi. Marjene Matsunaga Turnbull and Yvonne Wakabayashi. On view through August 5, 2019. “Gods in Any House: Chinese New Year with Ancestor Portraits and Deity Prints” is also on view though Sept. 29, 2019. Royal Ontario Museum at 100 Queens Park in Toronto, Ontario, Canada. Go to rom.on.ca for details.
Hito Steyerl looks at the relationship between networked technologies, image distribution and societal control. In this new commission for Serpentine Galleries, she works with technology to create a neural network that generates novel imagery and connections. Serpentine Galleries in London from through May 2019. Kensington Gardens. 020-7402-6075.
Indonesian-born, Amsterdam-based filmmaker Fiona Tan mixes found and original footage in her work to blue categories. Here, she uses color advertising footage from Agfa to explore notions of authenticity and normalcy in West Germany. May 4 – August 11, 2019. Museum Ludwig in Cologne, Germany. Heinrich-Boll-Platz, 50067 Koln, Germany. +49 221-221-26165 or [email protected] .
“Peekaboo” is the playful title of a show that details the career of artist Tomoo Gokita comprised of figurative and abstract pieces, an installation and a series devoted to wrestling and music. April 14 – June 24, 2019. Tokyo Opera City Art Gallery has the following shows. 3-20-2 Nishi-Shinjuku, Shinjuku-ku, Tokyo,Japan. +81- (0) 3-5353-0756.
Fukuzawa Ichiro was one of many Japanese artists who traveled extensively abroad in the early twentieth century with a seven year stint in Paris where he was influenced by Max Ernst and other Surrealists. In his painting and writing, he was a vigorous supporter of avant garde movements on his return. Almost ninety works in this retrospective attest to his transcultural range full of social critique and humor. National Museum of Modern Art, Tokyo. Through May 26, 2019. 1-1 Kitanomaru-koen, Chiyoda-ku, Tokyo, Japan. +81 3-5777-8600.
The Mori Art Museum has their 15 th Anniversary Exhibition entitled “Roppongi Crossing 2019: Connexions – Japanese Contemporary Art Here And Now!” on view through May 26, 2019. Also on view is “MAM Collection 009: Ken + Julia Yonetani” also on view through May 25, 2019. Coming up is the highly anticipated exhibition for Berlin-based installation artist Shiota Chiharu entitled “Shiota Chiharu: The Soul Trembles” which is on view June 20 – Oct. 27, 2019. A show tentatively entitled “The Future And Arts” is set for Nov. 19, 2019 – March 29, 2020. T106-6108, Tokyo, Minato City, Roppongi, 6 Chome – 10-1 Japan. +81 3-5777-8600.
Kichizaemon Raku is the 15 th head of the respected Raku family of tea bowl craftsmen. He found a kindred spirit and inspiration in the work of the eccentric abstract painter Wols. His work is featured alongside some of the work by Wols that inspired him. The result are artworks as tea bowls rather than artistic tea bowls. “Raku Kichizaemon x Wols” on view through March 31, 2019 at the Sagawa Art Museum. Go to www.sagawa-art-museum.or.jp for details.
“teamLab*Borderless” houses works by this hi-tech art group in the Mori Building Digital Art Museum. With computer-graphic projections of animals, plants and objects from nature to light sculptures and a forest of lamps. On view indefinitely. Aomi Station, Odaiba, Tokyo, Japan. 03-6406-3949.
Monyee Chan is a Seattle-based Chinese American artist. She has designed this year’s annual Northwest Folklife Festival poster. The festival takes place May 24 – 27, 2019 at Seattle Center and the focus this year is on young people, young voices and young identities. Chan also designed the program illustration for the Wing and its annual 2019 auction.
Phen Huang, owner of Seattle’s Foster/White Gallery is profiled by Matthew Kangas in the February – March 2019 issue of “PREVIEW – Guide To Galleries + Musuems.
A new Hong Kong opera house recently opened in the West Kowloon Cultural District at Hong Kong’s Kowloon waterfront. Vancouver BC-based Revery Architecture (a firm started by the late Chinese Canadian architect Bing Thom who did the original design) completed this project known as Xi Qu Center. The building includes a Grand Theatre, a smaller Tea House Theatre, professional studios, a seminar hall and a large open atrium for common space and exhibitions. The design was inspired by traditional Chinese lanterns and blends traditional and contemporary elements to “reflect the evolving nature of the art form.” Excerpts from dailyhive.com.
Japanese architect Junya Ishigami will design the Serpentine Pavillion, a temporary structure put up each summer in London’s Hyde Park. The architect said the design would “resemble a hill made out of rock while simultaneously appearing so light it could blow away in the breeze like a billowing piece of fabric.” The pavilion will be on view June 20 – Oct. 6, 2019. Ishigami won Main Prize in the Venice Biennale of Architecture for an installation entitled “Architecture as Air”.
Andy Warhol is no longer the top-selling post-war artist. According to ArtNet, he was dethroned in 2018 by French-Chinese painter Zao Wou-ki.
Japanese architect Arata Isozaki received the 2019 Pritzker Prize. The award is considered the profession’s highest honor. Isozaki grew up in the bombed and leveled city of Hiroshima which taught him how homes and cities could be rebuilt even amidst rubble. His work is known for defying categorization and not set in any given style. Rather, he adjusts to every situation differently as needs dictate. He studied with another Pritzker Prize winner, Kenzo Tange and started his own firm in 1963. Some of his noted designs are the MOCA in Los Angeles, the Palau Saint Jordi Sporting Arena in Barcelon and the Ark Nova inflatable concert hall created in collaboration with British sculptor Anish Kapoor designed to stage performances throughout the world. The latter was originally made after the Fukushima tsunami disaster to provide portable concert facilities in exceptionally damaged areas. Performing Arts
“History Café: Untold Stories from the Chinese Exclusion Act” takes place on Wed., March 20 at 6:30pm. For years, this Act barred Chinese laborers from entering the United States and prevented those who did from becoming naturalized citizens. Now rich historical information about this unjust period is being uncovered at Seattle’s local office of the National Archives. Hear Seattle volunteer Trish Hackett Nicola and Cathy Lee talk about the detailed information found in these files that contain personal family histories. At MOHAI South Lake City Café at 800 Terry Ave. N. in Seattle. 6:30pm.
“Mannakigubat” is a dance and visual art show that includes Filipinx performers Kimmortal, Cheryl Delostrinos and Sammay Dizon along with musician Julz Ilang-Bulan. March 21 – 24 at Gay City.517 E. Pike. 206-860-6969.
The Chapel Performance Space has the following – Gamelan Pacifica collaborates with Central Java musician Darsono (making his Seattle debut) as they perform pieces from his region’s repertoire with vocals by Jessica Kenny. Sat., March 23 at 8pm. Seattle Modern Orchestra presents “Mouthpieces”, an evening of music by composers Erin Gee and Kaija Saariaho on June 15, 2019 at 8pm. Chapel Performance Space. 4649 Sunnyside Ave. N. Go to gscchapel.com for details.
Pacific Northwest Ballet’s Director’s Choice Series continues through March 24, 2019. It includes a commission by Robin Mineko Williams. Williams’ piece entitled “The Trees The Trees” makes its world premiere. Marion Oliver McCaw Hall at 321 Mercer St. at Seattle Center. 206-441-2424.
Slack-key guitarist/singer Makana returns to Seattle with a concert of traditional Hawaiian music on Friday, March 29 at 7:30pm at Benaroya Hall. 200 University St. 206-215-4747.
Bainbridge Island Museum of Art’s “Momentum” Series presents “Within the Silence” by Ken Mochizuki: A Living Voices performance on The Jaapanese Exclusion.” This piece combines solr performances with archival film and sound to share the intimate story of one Japanese American family’s fight to sustain faith in the country they love in 1942 when Executive Order 9066 imprisoned thousands of loyal American families. March 30, 2019 at 3pm in the Museum’s Frank Buxton Auditorium. 550 Winslow Way E. on Bainbridge Island. 206-842-4451 or try [email protected]
“Represent! – A Multicultural Playwrights Festival” presents workshops and staged readings. Local Playwrights Showcase on March 31, 2019 at 4pm. Pratidhwani presents “In Braunau” by Dipika Guha on March 31, 2019 at 7:39pm. eSe Teatro presents “Two Big Black Bags” by Julieta Vitullo on April 1, 2019 at 7:30pm. SIS Productions presents “We, Too!” by local Asian American performing playwrights on April 2, 2019 at 7:30pm. Hansberry Project presents “Riverwood” by Andrew Lee Creech on April 3, 2019 at 7:30pm. At Langston Hughes Performing Arts Institute at 104 – 17 th Ave. S. Go to Pratidhwani.org for details.
“Never Again Is Now: The Art and Activism of Millennial Nikkei” is a free event co-presented by the JACL and DENSHO. Starts at noon on Sunday, April 7 at The Wing. Includes spoken-word poetry, dance, taiko drumming all honoring the legacy of previous generations. The line-up consists of spoken-word poets Kurt Yokoyama Ikeda & Troy Osaki, Canadian photographer Kayla Isomura’s demonstration of The Suitcase Project, the Gabrielle Kazuko Nomura Gainor Dancers, Seattle Kokon Taiko and more. Free but RSVP on Facebook encouraged. The Wing is located at 719 S. King St. in Seattle’s CID. For details contact [email protected] or call 206-295-0998.
Shen Yun is a celebration of Chinese culture brought to the stage with dance and music. April 2 – 7 at McCaw Hall. 321 Mercer St. in Seattle Center.
“Song of the Earth” is the title of a taiko concert by Yuichi Kimura and Daichi no Kai. The group hails from Hyogo Prefecture, Japan. They will perform a piece in requiem for the Hanshin Earthquake. Sunday, April 14 at 2pm. Broadway Performance Hall at 1625 Broadway Ave. on Capitol Hill on the campus of Seattle Central Community College. Organized by Hyogo Business & Cultural Center. Contact [email protected] for details.
Khanh Doan makes her debut at Seattle Repertory Theatre in the role of Emmy Helmer in their production of Lucas Hnah’s “A Doll’s House, Part 2” as directed by Braden Abraham. This play imagines circumstances that force lead character Nora who left her family to return 15 years later. Cast also includes Michael Winters, Pamela Reed and Laura Kenny. Carey Wong is Scenic Designer. Through April 28, 2019. Opening night is March 20. On the Leo K. Stage. Seattle Rep is at Seattle Center on the corner of Second Ave. and Mercer St. 206-443-2222 or go to SeattleRep.org.
Mi Kang makes her ArtsWest debut playing the role of Jenny in the play, “JOHN” by Annie Baker as directed by Erin Murray. Also stars Marianne Owen, Suzy Hunt and Sean Lally. The shadow of infidelity hangs over a young couple struggling to rebuild their relationship while at a weekend bed & breakfast. Ghosts haunt the living. Through April 7, 2019. Th. – Sat. at 7:30pm and Sundays at 3pm. 4711 California Ave, SW. 206-938-0339.
Ronny Chieng is a Chinese-Malaysian-Australian comedian and actor. He is currently a senior correspondent on The Daily Show on Comeday Central. He comes to town on behalf of his “Tone Issues Tour” on Sat., March 30, 2019 at the Neptune located at 1303 NE 45 th St. in the University District. Presented by STG. 800-982-2787 or go to stgpresents.org.
Gerlich Theater/The Meany Center For The Performing Arts – Looking forward to the 2018/2019 season, look out for the following. Time for Three is a ground breaking string trio that transcends tradition as well by mixing elements of pop and rock into their classical foundation. They perform on April 18, 2019. Yekwon Sunwoo won the Gold Medal at the 2017 Van Cliburn International Piano Competition. He makes his Seattle debut in a program of Schumann, Liszt, Beethoven and Schubert. One performance only on Sat., May 4, 2019 at 7:30pm. The Alexander String Quartet with Joyce Yang on piano explore the music of Mozart together on Wed., May 22 at 7:30pm. You can order online at meanycenter.org or call 206-543-4880 or visit the ticket office at 41st Street between University Way NE & Brooklyn Ave. NE. tickets available via FAX too at 206-685-4141.
“Music of Today: International Experimental Music Ensemble” features UW the faculty improv band known as Indigo Mist (includes Cuong Vu on trumpet) in a program of original material with special guests Ngo Tra My on dan bau and Joe Zwananengburg on flutes On Friday, May 10 at 7:30pm. The Gerlich Theater/Meany Center for the Performing Arts.4040 George Washington Lane NE on the west edge of the UW Seattle campus.
The UW School of Music presents IMPFEST XI, the Eleventh Improvised Music Project Festival with guest artists Lucia Pulido on voice and cuatro (May 24) and Stomu Takeishi on bass (May 25). Meany Studio Theatre. May 24 & 25. 206-543-4880 or go to www.music.washington.edu.
Future Seattle Opera productions include the following – “Rigoletto – The Cost of Corruption” August 10, 11, 14, 17, 18, 23,24, 25 & 28, 2019. Yongzhao Yu makes his Seattle Opera debut as the Duke of Mantua. “Charlie Parker’s Yardbird – The Man Behind A Legend” with music by Daniel Schnyder and libretto by Bridgette A. Wimberly. Plays Feb. 22, 23, 26, 29 AND March 1, 4, 6 & 7, 2020. Kelly Kuo will make his Seattle Opera debut as conductor for the orchestra for this production.
Conductor Ludovic Morlot ends his 2018/2019 tenure with the Seattle Symphony with a varied and stimulating series of concerts. Some highlights include the following – Avi Avital is a mandolin virtuoso who leads a group with Jessica Choe on piano through a fresh interpretation of Vivaldi and Telemann on Friday, May 3 at noon & 8pm and Sat., May 4 at 8pm. A Family Concert Series program entitled “Carnival Of The Animals” takes place on Sat. May 4 at 11am , 2018 with Pablo Rus Broseta conducting and Hannah Song on violin, Kristy Park on cello, Jessica Choe on piano and Elizabeth Morgan on piano. A Brahms Concerto Festival 1 takes place on Thursday, May 9 at 7:30pm featuring Zee Zee on piano. All concerts at Benaroya Hall in downtown Seattle. Go to seattlesymphony.org for details.
“Beyond Ideas” is the title of ArtsWest’s 2018-2019 season. Some highlights include Julia Cho’s “Office Hour” May 2 – May 26, 2019 and Justin Huertas’s musical, “The Last World Octopus Wrestling Champion” June 20 – July 28, 2019. Learn more details about the entire new season at artswest.org. ArtsWest is located in West Seattle at 4711 California Ave. SW.
Zakir Hussain makes his annual visit to Seattle with his always compelling “Masters of Percussion” ensemble featuring some world-class musicians. Set for April 2, 2019 at the Moore Theatre. Presented by STG Presents. 206-812-1114. Hussain is also the cover story for the January/February 2019 issue of Songlines magazine.
UW theatre graduate Mikko Juan spent the fall touring Eastern Washington in Seattle Children’s Theatre production of Ramon Esquivel’s “Between and Below”. Now he returns to Seattle in the lead role in “Urinetown: The Musical”, a joint production of 5 th Avenue Theatre and ACT as directed by Bill Berry. Set for The Falls Theatre from April 6 – May 26, 2019 at ACT downtown. 700 Union St.
The “Monterey Jazz Festival On Tour” with vocalist Ceceile McLorin Salvant headlining makes a stop in Seattle on April 7, 2019 at the Moore with a top roster of diverse, international talent including Yasushi Nakamura on bass. 206-467-5510.
Bankim Chandra Chatterjee’s “Devi” is a new drama/dance piece adapted & directed by Moumita Bhattacharya on stage from April 19 – May 11 at ACTLab. It tells the tale of a poor teenager who becomes a powerful leader against British colonial rule in the 1800’s. Another collaboration between Pratidhwani and ACTLab with eight Indian dance forms and a large cast. Go to acttheatre.org/devi for details.
Canadian playwright Ins Choi’s award-winning family comedy “Kim’s Convenience” (CBS television adaption was recently added to Netflix) comes to Taproot Theatre’s 2019 season titled “Family Ties”. On Stage May 15 – June 22, 2019 as co-directed by Scott Nolte and David Hsieh. A Korean Canadian family learns to live with their own faults, get along and forge ahead in this heartwarming comedy about the foibles and blessings of family. Go to taproottheatre.org for tickets. 204 N. 85 th St, in Seattle’s Greenwood neighborhood. 206-781-9705.
Indian composer Reena Esmail presents compositions merging Western techniques with traditional Hindustani instrumentation and musical themes. She brings a newly commissioned piano trio composition with Piano Ki Avaaz – Joshua Roman, David Fung and Kristin Lee. May 21, 2019 at 7:30pm. At Town Hall Seattle. 1119 Eighth Ave. Doors open at 6:30pm.
Closing Café Nordo’s 10 th Season of supper-club musicals is “7 th & Jackson” written by the multi-talented Sara Porkalob and set for July, 2019. Three Seattle friends haunt the speakeasys listening to jazz before WW II and share a dream to open a night club of their own. When the bombing of Pearl Harbor and rising WWII tensions tear apart homes, the friends separate but never lose sight of their dreams. Café Nordo is at 109 South Main. Go to www.cafenordo.com to find out more about their new season and how you can get tickets.
Edmonds Center for the Arts has the following set for 2019. Sitar virtuoso Anoushka Shankar performs on April 24, 2019 at 7:30pm. 410 Fourth Ave. N. 425-275-9595.
Broadway Center for the Performing Arts in Tacoma presents the following events at various venues. Their info # is 253-591-5894. Broadway Center presents sitar virtuoso Anoushka Shankar on Sun., April 28, 2019 at 7:30pm.
Macha Theatre Works announces their 2018-2019 season of fearless female theatre. The final production is the World Premiere of “Sheathed”, written by local playwright Maggie Lee and directed by Macha Artistic Director Amy Poisson. A tale of an unlikely friendship texted by the bonds of honor and the terrible price of forgiveness. Movement Choreographer Alyza Delpan-Monley and Fight Choreographer May Nguyen Lee complete the production team. “Sheathed” runs through March 23, 2019 at Theatre Off Jackson at 409 – 7 th Ave. S. For tickets and information, go to www.machatheatreworks.com/tickets or call 608-909-1252 or email [email protected] .
Some of the upcoming concerts Earshot Jazz is planning for 2019 include the Japanese pianist/composer/multi-instrumentalist Satoko Fujii & her Trio and New York-based guitarist/composer Miles Okazaki and his group “Trickster”. Okazaki grew up in Port Townsend. Miles Okazaki Trickster which features Matt Mitchell, Anthony Tidd & Sean Rickman will perform on April 13, 2019. Satoko Fujii Trio with Natsuki Tamura and Alister Spence will perform on May 7, 2019. For more information on future concerts, go to earshot.org for details.
Sakura-Con returns to Seattle’s Washington Convention Center April 19 – 21 where all fans of anime come to play. This member-only festival is a must for fans of anime, manga and cosplay. Presented by the Asia Northwest Cultural Education Association. 705 Pike St. Go to sakuracon.org for details.
UW’s Ethnomusicology Visiting Artist Concert this year features Heri Purwanto – Javanese Gamelan Music & Dance as performed by Puwanto and students. Tuesday, June 4 at 7:30pm. Gerlich Theater/Meany Center for the Performing Arts. On the west edge of the UW Seattle campus just off Red Square. 206-543-4880 or [email protected]
Seattle center and its Armory building continue to be the focus of cultural celebrations all year around with most of the events being free and family friendly. April 6 – 12, 2019 brings the annual Northwest Folklife Festival again. This year’s theme is “Movin’ Around the World: Spring” with a focus on youth. Catch music, dance and hands-on activitires from world cultures. 11am – 2”30pm. Seattle Cherry Blossom & Japanese Cultural Festival comes to Seattle Center April 26 – 28 with this annual celebration of Japanese culture in the form of live performances, demonstrations, kids activities, food booths and art shows. May 5 from 11:45pm – 5pm, celebrate Asian Pacific Islander Heritage Month with lion dances, drill teams, drumming, martial arts and performances. May 18 brings “A Glimpse of China” showcasing Chinese cultural traditions with live performances, arts activities and food. June 1 and 2 brings the annual Pagdiriwang Philippine Festival. With workshops, exhibits, performances and demonstrations all celebrating Filipino culture and the 120 th anniversary of Philippine independence.
Lauren Yee’s “Cambodian Rock Band” with songs by Dengue Fever as directed by Chay Yew will be performed March 6 – Oct. 27, 2019 at the Thomas Theatre as part of the Oregon Shakespeare Festival. This musical play tells the story of a young woman trying to piece together her family history thirty years after her father fled Cambodia. 15 South Pioneer St. in Ashland, Oregon. 1-800-219-8161.
Tasveer and The Gardner Center present the South Asian women’s ensemble known as Yoni Ki Baat presenting their latest take on Eve Ensler’s “Vagina Monologues” on April 12 (7 – 9pm), April 13 (7 – 9pm) and April 14, 2019 (2 – 4pm) at Seattle Art Museum’s auditorium. Part of their 13 th annual Aaina Festival. 1300 First Ave. 206-654-3210.
Portland-based Chamber Music Northwest has announced that its new artistic directors will be the husband/wife team of Gloria Chien and Soovin Kim. The two will succeed David Shifrin after his final Summer Festival in 2020. Both are recognized performers and experienced music presenters.
On the Boards has announced twelve artists/companies selected for the 2019 NW New Works Festival set for June 12 – 16, 2019. Among the names are Dakota Camacho, a rapper/hip hop dancer/performance artist, choreographer/dancer Imana Gunawan, flautist/taiko player Leanna Keith and dancer/choreographer Naomi Macalalad Bragin. Congratulations to all!
“America Adjacent” is by L.A.-based Filipino American playwright Boni B. Alvarez. It looks at a group of Filipinas who covertly reside in East Hollywood while waiting to give birth so their newborns will have U.S. citizenship. As time goes by, they began to have doubts whether the America of their dreams matches their daily reality. Former UW drama graduate and Examiner contributing writer Hazel Lozano is in the cast. Through March 24, 2019 at Skylight Theatre at 1816 ½ N. Vermont Ave. in the Los Feliz neighborhood of Los Angeles. 213-761-7061 or go to skylighttheatre.org.
Stephanie Hsu has the lead role of Christine in a musical of teenage geeks in love entitled “Be More Chill.” After a sold-out downtown run, it has just opened on Broadway. Wall Street Journal critic Terry Teachout has cited on his blog that it’s one of the strongest new musicals of the past decade and compares it to “Hamilton’ for its vibrant contemporary pop-music style. Film & Media
Hayao Miyazaki’s classic tale based on Diana Wynne Jones children’s book about a spunky girl determined to rescue her parents from a magic spell entitled “Howl’s Moving Castle” makes a welcome cinematic return from March 22 – 26 at Central Cinema.1411 – 21 st Ave. 206-328-3230.
Grand Illusion Cinema presents Hiroyasu Ishida’s anime feature-length film “Penguin Highway”. It tells the story of a budding Japanese kid genius who already lives his life like a scientist. When penguins start appearing in his suburban town miles away from any sea, he tries to solve the mystery with the help of a kind dental assistant. April 19 – 25. 1403 NE 50 th in Seattle’s University District. 206-523-3935.
Patrick Wang’s “A Bread Factory” makes its Seattle debut March 30 – 31 at Northwest Film Forum. When the married lesbian founders of a small-town arts center get wind of Chinese performance artists building a large complex near them, they get concerned and sound the alarm. April 10 – 12 brings the return of a classic King Hu Film entitled “The Fate of Lee Khan” in which a band of women warriors hunt down a corrupt Mongol Court official who’s stolen a secret map. “Ramen Shop” by Eric Khoo follows a young chef’s search for ancestral roots and the perfect bowl of ramen from a long forgotten recipe. Screens April 19 – 25. “Hotel by the River” is another shaggy dog story by Hong Sangsoo about an aging director trying to make peace with his sons when he encounters a mysterious pair of sisters by a river. Screens April 26, 27 & 28. 1515 – 12 th Ave. 206-329-2629.
Cascadia International Women’s Film Festival presents 4 days of films directed by women from April 11 – 14, 2019 at Pickford Film Center in Bellingham, WA. The honored guest this year will be Freida Lee Mock, director of “Maya Lin: A Clear, Strong Vision”, “Anita” and the forthcoming “RUTH: Justice Bader Ginsberg in Her Own Words”. For details, go to cascadiafilmfest.org.
GKIDS and Fanthom Events bring Kitaro Kosaka’s “Okko’s Inn” to the U.S. Kosaka is the famed anime Studio Madhouse director and worked on numerous classic Studio Ghibli films. The story revolves around an orphaned young girl who goes to live in the countryside with her grandmother who runs an inn with an onsen near a waterfall. She eventually becomes the inn’s next caretaker and comes to know the inn’s friendly spirits that only she can see. A string of new guests will put the inn’s motto “to welcome all and reject none” to the test. The English dubbed version screens on Mon., April 22 at 7pm. The Japanese version screens on Tues., April 23 at 7pm. Go to www.FanthomEvents.com or www.Okkosinn.com for local participating theatres and their box offices.
SIFF Uptown hosts a Saturday Morning Cartoon program with coffee & donuts and a post film discussion, All ages welcome. Some films to look forward to in this series include the following – “Window Horses: The poetic Persian Epiphany of Rosie Ming” is a story that tells what happens when a young Canadian poet of Iranian/Chinese ancestry leaves her sheltered Vancouver BC home to perform at a poetry festival in Iran. It’s her first trip abroad and what will she discover. Screens March 30, 2019. Voices provided by Sandra Oh, Ellen Page and and Shohreh Aghdashloo. Also opening at the same venue is Chinese filmmaker Bi Gan’s latest experimental drama entitled “Long Day’s Journey Into Night” about a man searching for the woman he loves. 511 Queen Anne N.
BIA’s “Momentum” Series presents the SmARTfilms: Best of Port Townsend Film Festival. Screening on April 9, 2019 at 7:30pm is “Yellow is Forbidden” by Pietra Brett Kelly which is a portrait of Guo Pei, Chinese fashion designer and looks at contemporary global power dynamics and the opposition between art and commerce. $10 – $12. Screening April 16, 2019 at 7:30pm is “Ballets Russes” by Daniel Geller & Dayna Goldfine. From 1909 to 1929, the Ballet Russes traveled the globe, becoming one of the most famous ballet troupes in the world led by impresario Sergei Diaghilev. A 2000 reunion of surviving members is used to re-visit the troupe’s history. Sono Osato, Japanese American dancer was part of this famed dance company. $10 – $12. All screenings in the Museum’s Frank Buxton Auditorium. Bainbridge Art Museum at 550 Winslow Way E. on Bainbridge Island, WA. 206-842-4451 or try [email protected]
Set for major studio release on May 17, 2019 is “The Sun is Also a Star”, an adaptation of Nicole Yoon’s bestselling young adult novel about a Jamaican teenager who falls in love with a Korean American man just as her family is about to be deported. Stars Charles Melton and Yara Shahidi in the lead roles. Directed by Ry Russo-Young. The Written & Spoken Arts
Seattle Public Library’s “2019 Seattle Reads” event which takes place in April has selected the graphic memoir by Thi Bui entitled “The Best We Could Do” which details the experience of Vietnamese immigrants settling in a new land. Thi Bui will be in Seattle April 13 – 16, 2019. She visits the Central Library on April 13 at 7:30pm, the Northgate Community Center on April 14 at 1:30pm, the Centilla Cultural Center on April 14 at 7pm, the Greenwood Branch of Seattle Public Library on April 15 at 7pm, Asian Counseling and Referral Service on April 16 at 6:30pm and Reading Groups with the Vietnamese Friendship Association on April 10 at 6:30pm at the Columbia Branch of Seattle Public Libray and Northwest African American Museum on April 7 at 6pm. There will be book group discussions about the book all over the city at Seattle Public Library branches as well. For more details, go to www.spl.org/seattlereads .
UWALUM.COM/GOLECTUES present their Spring 2019 series of lectures from various departments on the Seattle campus. A sampling include the following – The Graduate School presents a forum entitled “Memory & Place” on April 3 at 7:30pm in Kane Hall 130. Priya Frank moderates a discussion with artists Morehshin Allahyari , Trinh Mai and Sara Zewde (whose work is in a group show) about art, memory and how we pay homage to places that hold value in our hearts and minds. The Department of Applied Mathematics in their Distinguished Boeing Colloquia Series has Kavita Ramanan from Brown University address the topic of “A Bird’s Eye View of Stochastic Networks: From Local Balancing to Biochemical Reactions” on May 9 at 4pm at Smith Hall 205. Asian Languages And Literature presents tow lectures on Japan. On April 16 at 7pm in Kane Hall 210, Ross Henderson, PhD student in Japanese Literature addresses the topic of “A Fist Full of Incense: Basara and the Medieval Origins of Japanese Maximalism”. On May 21 at 6:30pm in Kane Hall 225, John Treat, Professor Emeritus from Yale University talks about “Yi In-jiks ‘The Widow’s Dream’ and the Origin of Modern Korean Literature in Japan”. All lectures are free. Register now at uwalum.com/golectures or call 206-543-0540.
Open Books has the following events – Filipino American poet Rick Barot reads with Portland poet David Biespiel on April 13 at 7pm. Barot is poetry editor of NER and Rainier Writing Workshop at Pacific Lutheran University in Tacoma. His newest book “The Gallerons” is forthcoming from Milkweed Editions in 2020. 2414 N. 45 th St. 206-633-0811 or [email protected]
Seattle fiction writer Richard Chiem will read from his new novel entitled “King of Joy” (Soft Skull) on April 2, 2019 at 7pm at the Ravenna Third Place Books in Seattle. 6504 – 20 th Ave. NE. 206-525-2347. He will read again on April 9, 2019 at 7pm at King’s Books in Tacoma,WA. 218 St. Helens Ave. 253-272-8801.
Elliott Bay Book Company continues to sponsor readings in their Capitol Hill bookstore as well as co-producing events all over the city. Below you will find a partial listing of some of their events. Events are at the bookstore located at 1521 Tenth Ave. unless otherwise noted. T. Kira Madden talks to Kimberly King about her memoir entitled “Long Live The Tribe of Fatherless Daughters” on March 24 at 3pm at EB. This is a coming-of-age story of a mixed race child with two parents struggling with addiction looking for her own identity. March 26 at 7pm, two talented poets take the stage at EB. Sally Wen Mao reads from “Oculus” (Graywolf) and Western University instructor Jane Wong reads from “Overpour”. Preet Bharara speaks about his career as a prosecutor at the Neptune Theatre. He is the author of “Doing Justice – A Prosecutor’s Thoughts on Crime, Punishment and the Rule of Law” (Knopf). Presented by the Seattle Theatre Group. Wed., March 27 at 7pm (doors open at 6pm). 1303 NE 45 th in the University District. On March 30, 2019, the Gardner Center’s Saturday University presents a talk by Princeton University emeritus Jerome Silbergeld who will address the topic of “What Kind of Collection is a Chinese Garden” at 10 am at Seattle Art Museum. Arthur A. Hansen, Professor Emeritus of History and Asian American Studies at Cal. State Fullerton will engage with Seattle writer, journalist/filmmaker Frank Abe about his two groundbreaking books on Japanese American internment history at the bookstore on Tues., April 2, at 7pm. “Nisei Naysayer: James Matsumoto Omura” (Stanford University Press) looks at journalist James Omura who was one of the fiercest opponents of the mass incarceration of Japanese Americans during WWII. “Barbed Voices: Oral History, Resistance, and the WWII Japanese American Social Disaster” (Univ. Press of Colorado) looks at the Japanese American resistance movements in ten War Relocation Centers during WWII. Co-presented with DENSHO. On Wed., April 3 at 7pm, Soniah Kamala comes to the store with her delightful take on Jane Austen’s “Pride and Prejudice”. Entitled “Unmarriageable” (Ballantine), the book moves Austen’s novel to a Pakistani setting. She will talk about the novel with local Seattle University Professor and Examiner contributor Nalini Iyer. On April 6, 2019, the Gardner Center presents Saturday University with the University of Toronto’s Shiho Satsuka talking about “The Charisma of Wild Mushrooms: Matsutake and the Forest Revitalization Movements in Japan” at 10am at Seattle Art Museum. On April 20, 2019, the Gardner Center’s Saturday University presents the University of Indiana’s Pedreo Machado talking about “Eucalyptus and Empire” at 10 am at Seattle Art Museum. On April 27, 2019, the Gardner Center’s Saturday University has the University of Michigan’s Erik Mueggler speaking about “The Golden Mountain Gate: Text and Experience in the Botanical Exploration of Southwest China” at 10 am at Seattle Art Museum.
Science author Michio Kaku addresses the topic, “Our Future Beyond Earth” on Wed., April 10 at 7:30pm. Seattle First Baptist Church at 1111 Harvard Ave. Presented by Town Hall Seattle. 206-652-4255 or [email protected]
Hugo House, that venerated Northwest center for writers and poets re-opens in brand-new digs with expanded space but in the same location. Catch their readings and celebrate their new space. “Poems of Legacy, Poems of Transformation” is the title of a conversation/reading poet Monica Youn will be having with Shankar Narayan on March 26 at 7pm. Free. “I think I’m Ready to See Frank Ocean: A Reading with Shayla Lawson and Jane Wong” takes place on April 18, 2019 at 7pm. Free. 2019 dates for “Word Works: Writers on Writing” will feature craft talks by Andre Dubus III on March 9, 2019, Min Jin Lee on May 2, 2019 and Steve Almond on May 21, 2019. Lee, who wrote the novel “Pachinko”, a powerful family saga of Koreans living in Japan will speak to the way in which our faith in the world and in our writing can open our work to new horizons. Also with the opening of the new Hugo House, the writing center rolls out a new series of classes/workshops with a varied number of subjects taught by a talented group of writers like Nisi Shawl, Sonora Jha, R. O. Kwon, Anne Liu Kellor, Michelle Penaloza, Richard Chiem, Diana Xin, Anglela Garbes, Lora Shinn, Aimee Bhausar and Shankar Narayan. 1634 – 11 th Ave. 206-453-1937. Go to hugohouse.org to find out more.
Seattle Arts & Lectures returns with their always stimulating series of writers, poets and a new journalism series. As part of the Poetry Series, acclaimed poet Kimiko Hahn will come April 25, 2019 for a program entitled “Poems For The Planet” which will include her, Nicaraguan American poet Francisco Aragon and a group of friends. It’s a celebration of both Earth Day & National Poetry Month with eco-poetics as a mode of creative resistance. Co-sponsored by Copper Canyon Press who will be releasing the anthology “Here: Poems for the Planet” which includes work by some of these poets. 7:30pm at Seattle Central Community College’s Broadway Performance Hall. Call for more information at 206-621-22.
Bellevue-based science fiction writer Ted Chiang is best known for the film “Arrival” based on his short story entitled “Story of Your Life” and his writing in that genre has won every major literary award in his category. Now a collection of his stories, both classic and new entitled “Exhalation”. He will read from that collection at this Literary Luncheon sponsored by Third Place Books in Ravenna at 1pm on Thurs., May 30.
Penguin Classics have inducted four Asian American authors to their series and each title will be supplemented with introductions and forewords by some of the most influential Asian Americans writing today. Titles will be on sale starting May 21, 2019. They include – “The Hanging On Union Square” by H. T. Tsiang with an introduction by Hua Hsu and Edited with an afterword/notes by Floyd Cheung. “East Goes West” by Younghill Kang with a foreword by Alexander Chee and afterword/notes by Sunyoung Lee, “No-No Boy” by John Okada with an introduction by Karen Tei Yamashita and “America Is In The Heart” by Carlos Bulosan with a foreword by Elaine Castillo and an introduction by E. San Juan, Jr.
The winners for The Association For Asian American Studies 2019 Book Awards have been announced. “The Love Robot” (The Operating System) by Margaret Rhee for Creative Writing (Poetry), “Letters to Memory” (Coffee House Press) by Karen Tei Yamashita for Creative Writing (Prose), “Porous Borders: Multiracial Migrations and the Law in the U.S.-Mexico Borderlands” (University of North Carolina Press) by Julian Lim for History, “Writing Human Rights: The Political Imaginaries of Writers of Color” (University of Minnesota Press) by Crystal Parikh for Humanities & Cultural Studies (Literature), “Chinatown Opera Theater in North America” (University of Illinois Press) by Nancy Yunhwa Rao for Humanities & Cultural Studies (Media & Performance Studies) and “Migrant Returns: Manila, Development, and Transnational Connectivity” (Duke University Press) by Eric J. Pido for Social Science. Winners will be honored at the AAAS Awards Reception at Madison Concourse Hotel in Madison, Wisconsin on Sat., April 27, 2019.
Jamie Ford’s popular best-selling novel “Hotel On the Corner of Bitter and Sweet” has already been adapted to the stage locally by Book-It Repertory and is moving slowly towards a movie but a musical version of the book may be coming as well. Seattle native and composer/lyricist Paul Fujimoto (now based in New York) has teamed up with Broadway veteran Lainie Sakakura (writing, acting, choreography) to secure the rights for the novel’s musical adaptation. They are presently talking to 5 th Avenue Theatre about a possible collaboration. Ford himself recently wrote a new short story solely about the character Keiko now included in the anniversary reissue version of the book.
Below is a partial list of new books by or about Asian Americans and new titles on Asia. If you are interested in reviewing any of them, please let us know –
“Bright” (Two Lines Press) by Duanwad Pimwana as translated by Mui Poopoksakal received an Honorable Mention for the Global Humanities Translation Prize. An authentic look at a working-class community in Thailand and the first-ever novel by a Thai woman writer to appear in English.
“Hour of Excavation” by Hiroki Tsukuda is an exhibition catalog published by Galerie Gisela Capitain. His work has a collage-like architectural intensity born of childhood memories.
“You Are Never Alone” (Owl Kids) by Elin Kelsey and art by Soyeon Kim. This collaborative team tackles the overwhelming topics of global warming and environmental distress in a gentle and positive way for kids.
“Kingdom of the Blazing Phoenix” (The sequel to “Forest of a Thousand Lanterns” (Philomel) by Julie C. Dao. This Vietnamese American author concludes her fantasy story of an Asian princess who must dethrone an evil empress to save herself, her friends and the kingdom.
Hwang Sok-Yong is one of South Korea’s most well-known authors. In 1993 he took a trip to the North to promote exchange between the two Koreas. For that, he was sentenced to seven years in prison. He was pardoned in 1998 by a new president. His work has received Korea’s highest literary prizes. Now Scribe, a publisher in Australia has published three of his novels all translated by Sora Kim-Russell. “Familiar Things” (Scribe) tells the story of a family exiled to an island that serves as a landfill joined by a community of exiles, outlaws and people driven from the city by poverty. “At Dusk” (Scribe) looks at a successful architect from a poor neighborhood who achieves success only to be investigated for corruption. It looks at the world he left behind and what he gave up to move ahead. “Princess Bari” (Scribe) re-purposes a Korean myth about an abandoned princess traveling to the ends of the earth into a modern fable of a North Korean girl who escapes and tries to make a life in London. The author shows us a bewildering mix of cultures, religions and languages against the haunting backdrop of the modern world.
“Territory of Light” (Farrar Straus & Giroux) by Yuko Tsushima as translated by Geraldine Harcourt tells the story of a young woman left by her husband who struggles to start a new life in Tokyo with her two-year old daughter. In the months to come, she must confront what she lost and what she has become.
“Solo – A Modern Cookbook for a Party of One” (Knopf) by Anita Lo. This acclaimed chef shows you how to yourself by preparing delicious, accessible food to keep your singled life empowered and on track.
“My Cat Looks Like My Dad” (Owl Kids) by Thao Lam. This Canadian author/illustrator brings us a witty and uplifting picture book story that speaks to families of all varieties about how family is really what you make it.
“King of Joy” (Soft Skull) by Seattle writer Richard Chiem is his first novel after his acclaimed book of short stories. It is an imaginative meditation on emotional survival, isolation and the beauty and limitations of human connection.
“When I Found Grandma” (Groundwood) by Saumiya Balasubramaniam and illustrated by Qin Leng. This is a charming look at how a grandchild and grandparent navigate cross-cultural differences and find the bond of love.
“Privleged Minorities – Syrian Christianity, Gender, and Minority Rights in Postcolonial India” (UW) by Sonja Thomas. This is a study of Syrian Christian women and how this community illuminates larger questions of multiple oppressions, privilege and subordination, racialization and religion and secularism in India.
“The Story of Lee – Vol. 3” (NBM) by Sean Michael Wilson & Pirarelle. The conclusion of this graphic novel of a girl recently transplanted from her native Hong Kong to life in Edinburgh, Scotland.
“On Haiku” (New Directions) by Hiroaki Sato. In a series of essays, noted Japanese translator of that country’s poetry into English zeros in on the many styles and genres of haiku poetry generously supported by his translated examples.
“Long Live the Tribe of Fatherless Girls – A Memoir” (Bloomsbury) by T. Kira Madden tells her story as the only child of parents continually battling drug and alcohol abuse and her own search for identity as a queer biracial teenager in Boca Riton, Florida. Madden appears at Elliott Bay Book Company in conversation with Kimberly King on March 24 at 3pm.
“The Plotters” (Doubleday) by Un-Su Kim is a thriller that takes us behind the scenes of political intrigue in South Korea told through the eyes of a jaded for-hire assassin who moves through corridors of power and alleys filled with corruption. Translated by Sora Kim-Russell.
Noted fiction writer Yiyun Li returns with “Where Reasons End” (Random House) where the writer imagines a conversation between a mother and her child lost to suicide in a timeless world, the space between life and death.
“Arid Dreams – Stories” (Feminist Press) by Duanwad Pimwana as translated by Mui Poopoksakul (due out in April 2019) renders her home country in all its complexity as her characters brimming with desire and disenchantment come alive in these pages. One of the first books by a Thai woman to be published in English internationally.
“This Fish is Fowl – Essays of Being” (Nebraska) by Xu Xi. Part of the American Lives Series edited by Tobias Wolff. A range of essays from a writer whose origins stretch across Indonesian/Chinese/American/Hong Kong. Her pieces concern “Dreamers” in the U.S. and Hong Kong after the Occupy Movement and many other topics all dancing around the question of what it means to “belong” in this world.
“Racial Melancholia, Racial Dissociation – On the Social and Psychic Lives of Asian Americans” (Duke) by David L. Eng & Shinhee Han. A critic and psychotherapist use case histories to explore the social and psychic predicaments of Asian American young adults from Gen X to Gen Y.
“Ai Weiwei: Beijing Photographs, 193 – 2003” (MIT) is an autobiography in pictures of one of China’s most celebrated contemporary artists and its most outspoken domestic critic.
“Betraying Big Brother – The Feminist Awakening in China” (Verso) by Leta Hong Fincher looks at the feminist movement in China and how it could reconfigure that country and the world.
“An American Family – A Memoir of Hope and Sacrifice” (Random House) by Khizer Khan. A story of family and faith written with a poet’s sensibility, this Muslim American father tells his timeless immigrant story that led from from Pakistan to America.
“Dreamers – How Young Indians Are Changing the World” (Harvard) by Snigdha Poonan. More than half of India is under the age of twenty-five. The author traveled through the small towns of Northern India to investigate the phenomenon that is India’s Generation Y.
“Invocation of Beauty – The Life And Photography of Soichi Sunami” (Cascadia Museum of Art) by David F. Martin. This is the catalog for a recent exhibition on this early Seattle Camera Club member who went on to become the staff photographer at the Museum of Modern Art and a pioneer photographer of early American dance.
“The Village By The Sea” (NYR Books) by Anita Desai is a classic survival story of teenagers living in both village and city and how their bond pulls them through difficult times.
“Doing Justice – A Prosecutor’s Thoughts on Crime, Punishment and The Rule of Law” (Knopf) by Preet Bharara. After a long career as a prosecutor, the author lays out a path toward reaching truth and justice in our everyday lives using by example captivating tales of true crime.
“China Dream” (Counterpoint) by Mia Jian. This novel set for May 2019 release by this Chinese writer-in-exile is a satire that takes the reader through the horrors and absurdities of totalitarian power as it is epitomized today by the current Chinese government.
“River of Fire” (New Directions) by Qurratulain Hyder transcreated by the author from her Urdu original. Considered the imost important novel of twentieth-century Urdu fiction. This writer conjures up a country’s memory, forming a rich tapestry of history, human emotions and redefining Indian identity.
“The Little Book of Life Hacks: How To Make Your Life Happier, Healthier And More Beautiful” (St. Martin’s) by Yumi Sakugawa. This author, illustrator and comic book artist uses all those skills to craft a book that will guide your personal life from the inside out, step by step. Common sense tips profusely illustrated in a charming comic book style.
“Descendant of The Crane” (Albert Whitman) is inspired by a Chinese fantasy and is a novel of a princess whose father is murdered and the things she must do to bring the killer to justice.
“The Body Papers – A Memoir” (Restless) by Grace Talusan. Winner of the Restless Books Prize for New Immigrant Writing, this book powerfully explores the author’s experiences with sexual abuse, depression, cancer and life as a Filipino immigrant.
“My Old Faithful” (University of Massachusetts) by Yang Huang won the Juniper Prize for fiction. Ten interconnected short stories that move from China to the U.S. during a thirty-year period paint a nuanced portrait of family life affected by social and economical change.
“People Like Us – The New Wave of Candidates Knocking at Democracy’s Door” (The New Press) by Sayu Bhojwan looks at how immigrant Americans are changing the political landscape, promoting reform and providing a voice for our multi-racial country.
“The End of the Moment We Had” (Pushkin) by Toshiki Okada as translated by Sam Malissa. Two short stories look at characters bound by a generational hunger for human connection and reveals an unsettlingly honest voice in contemporary Japanese fiction.
“You’re Safe With me” (Lantana) by Chitra Soundar and illustrated by Poonam Mistry. A modern fable that reads like a folktale illustrating the importance of motherly love amongst animals in a forest.
“The Unpassing” (Farrar Straus & Giroux) by Chia-Chia Lin traces the tragic journey of a Taiwanese immigrant family struggling to make a new home in Alaska. Scheduled for a May 2019 release.
“Kaya’s Heart Song” (Lantana) by Diwa Tharan Sanders and illustrated by Nerina Canzi. This book is a lesson on mindfulness set in the jungles of Malaysia where a little girl discovers her own song.
“Friend of My Youth” (NYR Books) by Amit Chaudhuri looks at the city of Bombay and the nature of identity and the passage of time.
“Moth And Wasp, Soil And Ocean – Remembering Chinese Scientist Pu Zhelong’s Work for Sustainable Farming” (Tilbury House Publishers) by Sigrid Schmalzer and illustrated by Melanie Linden Chan. This book tells the story of a pioneering environmentalist in rural China who helped develop sustainable agriculture without pesticides.
Bellevue-based writer Ted Chiang is back with another stunning collection of stories entitled “Exhalation” (Knopf), each tackling some of humanity’s oldest questions. It covers a twenty year period with some rare classic work and new stories as well. His work has won every fantasy and Sci-fi award including the Hugo, the Nebula and Locus Awards.
In “Internment” (Little Brown), Samira Ahmed fights against Islamophobia and complicit silence in a futuristic novel when all Muslims are herded into internment camps.
“Monsters I Have Been” (Alice James) by Kenji C. Liu is a book of poems that uses existing texts and remixes them to investigate the relationship between toxic masculinity and the forms of violence it promotes in society.
“Time for Bed, Miyuki” (Princeton Archtectural Press) by Roxane Marie Galliez and illustrated by Seng Sounratanavanh is a picture book story about family, nature and love that serves as a welcome companion to your own children’s bed-time journey.
In “Soft Science” (alice James) by Franny Choi, the poet uses the myth of the cyborg to explore queer, Asian American femininity.
“The Pilipinx Radical Imagination Reader” (Philippine American Writers And Artists Inc.) edited by Melissa-Ann Nievera-Lozano and Anthony Abulencia Santa Ana. A Collection of a multiplicity of voices from the Philippine diaspora exploring visions we carry for our communities in this historical moment.
“Girls of Paper and Fire” (Little Brown) by Natasha Ngan is a richly textured fantasy novel about a lower caste girl who must serve a king but when love intervenes, how far will she go for justice?
In “Mitochondria Night” (Coffee House), poet Ed Bock Lee turns his analytical lens to trace paths through time, genealogy & geography and deals with issues of war, generational trauma and colonialism.
“Tales of Japan – Traditional Stories of Monsters and Magic” (Chronicle) with illustrations by Kotaro Chiba drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating and poetic.
“Conversations in Maine: A New Edition” (University of Minnesota) by Grace Lee Boggs, JHames Boggs, Lyman Paine and Freddy Paine. After the Detroit Rebellion, two veteran activist couples get together to re-think the fundamentals of activism. An essential text for a new generation of radicals.
“You’re Snug With Me” (Lantana) by Chitra Soundar & Poonam Mistry is a lavishly illustrated picture book depicting the beauty of the polar region.
“The Gilded Wolves” (Wednesday Books) by Roshani Chokshi is a new young adult series about heist and adventure set in Paris, filled with opulent balls, succulent sights and a brazen group of teens.
“Dragon Dancer” (Lantana) by Joyce Chng and illustrated by Jeremy Pailler tells the story of a Chinese festival and what it symbolizes for Chinese communities as told through the eyes of a dragon dancer.
“Stone House on Jeju Island – Improvising Life Under A Healing Moon” (Seoul Selection) by Brenda Paik Sunoo. A Korean American woman challenges us to reimagine our definition of “home” as she moves from Southern California to an island off the tip of South Korea and re-examines her own life.
“The Paper-Flower Tree-A Tale From Thailand” (Enchanted Lion) by Jacqueline Ayer. What happens when an old peddler visits a small village with a tree of paper flowers? When he leaves a gift of one of the flowers to a little girl, will her life change?
“Oculus” (Graywold) by Sally Wen Mao is a book of poems that explore history and the future informed by science, history, the natural world and the character of actress Anna May Wong.
“Thirty Minutes Over Oregon – A Japanese Pilot’s WWII Story” (Clarion) by Marc Tyler Nobleman and Illustrated by Melissa Iwai. This picture book based on a true story recounts the incident of a Japanese pilot who bombs the continental U.S. during WWII and comes back 20 years later to apologize.
“The Love & Lies of Rukhsana Ali” (Scholastic) by Sabina Khan. Unable to come out to her conservative Muslim parents, an American teenager keeps a secret. When discovered, she is sent into exile back to Bangladesh. When and where does she find the courage to take control of her future?
“The I Wonder Bookstore” (Chronicle) by Shinsuke Yoshitake. In this charming illustration of the love of books, the author imagines a small bookstore which is a place of magical delight for bibliophiles.
“Toddler Hunting And Other Stories” (New Directions) by Taeko Kono as translated by Lucy North. Reflecting off mirrors of fantasy, reality, pain and pleasure, this Japanese writer doesn’t flinch as her detached gaze catches the beauty as well as the grotesque elements of the human condition.
“Riding A Donkey Backwards – Wise and Foolish Tales of Mulla Nasrudin” (Candlewick) as retold by Sean Taylor & the Khayaal Theatre and illustrated by Shirin Aol. Middle eastern tales of a famous trickster/storyteller beloved all over the Middle East.
“Learning To See” (Morrow) by Elise Hooper is a biography told in novel form about photographer Dorothea Lange, the woman who revealed the real America with her searing, uncompromising lens (including documentation of the internment of Japanese Americans during WWII).
“Gondra’s Treasure” (Clarion) by Linda Sue Park and illustrated by Jennifer Black Reinhardt is a cute picture book about a baby dragon who carries traits of both her parents yet carries her own true personality as well.
“Game of Stars” (Scholastic) by Sayantani Dasgupta. A fantasy novel about a teenage girl who journeys to the kingdom beyond to battle her father and discovers what it really means to be a hero.
“American Sutra: A Story of Faith And Freedom in the Second World War” (Harvard University) by Duncan Ryuken Williams tells a religious history of Buddhism in Japanese America during the WWII internment experience.
“Ghost Work – How to Stop Silicon Valley from Building a New Global Underclass” (HMH) by Mary L. Gray and Siddharth Suri. An anthropologist and a computer scientist team up to unveil how services delivered by tech companies can only function smoothly thanks to the judgement and experience of a vast, invisible human labor force. Often underpaid and overworked, the authors show how this work force can create opportunity rather than misery for those who do it.
“The Handsome Monk And Other Stories” (Columbia) by Tsering Kondrup as translated by Christopher Peacock. A collection of one of the most critically acclaimed authors in Tibet today. With a distinct voice rich in black humor and irony, he describes the lives of Tibetans living within contemporary China.
“Too Young To Escape – A Vietnamese Girl Waits to Be Reunited With Her Family” (Pajama Press) by Van Ho and Marsha Forchuk Skyrypuch. A young adult story of a girl left behind in Vietnam who waited to be reunited with her immigrant parents and the experiences she went through.
“The Karachi Kitchen – Classic and Contemporary Flavors of Pakistan” (Wise Ink) by Kausar Ahmed beings you a new world of flavor through the culinary arts of a multi-cultural region that sits at the intersection of South Asia.
“North Korean Art: Paradoxical Realism” (Seoul Selection) by BG Muhm is the catalog for “Imagined Borders”, an exhibition held at the 2018 Gwangju Biennale. A close-up look at the “Socialist Realism” of North Korean art.
“Farmer Falgu Goes Kite Flying” (Karadi Tales) by Chitra Soundar and Kanika Nair is a whimsical tale of a little girl who learns how to fly a kite on a windy day.
“The Bear and The Paving Stone” (Pushkin) by Toshiyuki Horie as translated by Geraint Howells. In three stories that probe the unavoidable connections of our past, the author creates a haunting world of dreams and memories where everyone ends up where they began.
“Here And Now And Then” (Mira) by Mike Chen. In this fantasy novel, a seasoned operative must live two lives in two different centuries and bridge this monumental divide to make things right in the universe.
“Bronze and Sunflower” (Candlewick Books) by Cao Wen Xuan as translated by Helen Wang. When a city girl becomes orphaned, the poorest family in the village takes her in and a traumatized boy and a lonely girl become the best of friends.
“Politics of Seeing – Dorothea Lange” (Prestel) is the catalog for a major retrospective of this major 20 th century photographer who used her work as a political tool to effect change.
“My Grandma And Me” (Candlewick) by Mina Javaherbin as illustrated by Lindsey Yanbrey. A charming tale of a little girl’s memories of her Iranian grandmother.
“Anyone Will Tell You” (Sibling Rivalry) by Wendy Chin-Tanner. This Oregon-based poet and graphic novelist explores and subverts form as an expression of the relationships between gender & identity, parent and child, self & the other, humanity & the environment and earth & the cosmos.
“The Banished Immortal – A Life of Li Bai” (Pantheon) by Ha Jin. Novelist/poet Ha Jin looks back at the life of this major Daoist poet of the Tang Dynasty whose uncompromising attitude towards life produced some of the most enduring verses in the world.
“Farmer Falgu Goes to the Kumbh Mela” (Karadi Tales) by Chitra Soundar and Kanika Nair. A picture book that exposes kids to a Hindu festival as a village farmer goes to the city to see the event but somehow keeps missing the highlights until…. With vivid artwork enhancing the festive atmosphere.
“Hybrida” (Norton) by Tina Chang is an engrossing new collection of poems that confront the complexities of raising a mixed-race child in a post-Trayvon Martin era.
Akashic Books celebrates the career of Los Angeles-based writer Nina Revoyr (“Southland”, “Wing Shooters”) by releasing her latest novel “A Student of History” as well as reissuing her 1997 debut novel entitled “The Necessary Hunger”. “A Student of History” examines the toxic ruling-class legacy of prejudice and entitlement in the city of angels. “The Necessary Hunger” is a story about women’s basketball, class, racial identity and friendship. Go to AkashicBooks.com for details.
“Long River” (Tin Fish) is a book of poems by Chinese poet Yang Jian. In a country “hellbent” on industrial progress, the words of this poet is the voice of conscience. Translated by Ye Chun, Paul B. Roth & Gillian Parrish.
“John Okada – The Life & Rediscovered Work of The Author of No-No Boy” (UW Press) edited by Frank Abe, Greg Robinson, and Floyd Cheung. Through a mosaic of different perspectives, these essays put the flesh back on the bones of this iconic pioneer Asian American writer.
“Émigré” (Tin Fish) by Geneve Cho is a defiant reply to this administration’s anti-immigrant stance. In numerous languages, the poet preserves the voice of emigrant history. News/Opportunities
The Office of Arts & Culture in partnership with Seattle Art Museum is seeking a multi-disciplinary art curator/curator team to develop/manage and coordinate temporary art programming for the re-opening of the Seattle Asian Art Museum in Volunteer Park. The hired person or persons will develop a series of free events, performance-based art (inside the museum or outside in the park) and temporary public art (in the park only) starting in Nov. 2019 and occurring intermittently for nine months following the reopening of the museum. Deadline for applications is March 14, 2019 at 10:59pm Pacific. Apply at CAFÉ. For details, contact public art project manager Maija McKnight at 206-684-7311 or [email protected]
“Take a Stand: Art Against Hate” is the proposed topic for a Raven Chronicles Press Anthology. Reading period for entries will close on April 1, 2019. Poetry, fiction and artwork are welcome. The Submittable.com link is the submission platform. If you cannot use this platform, then email the staff at [email protected] . [email protected] ://www.ravenchronicles.org/submissions-wanted-take-a-stand-art-against-hate-a-raven-chronicles-anthology/ .
Mutsuko Soma, owner of the award-winning soba restaurant Kamonegi has acquired a space nearby where she will open a sake bar called Hannyatou. She hopes to also have a facility on site where she can make and house tsukemono pickles, koji, miso an other staples of Japanese cuisine. Go to hannyatou.com for details.
Friends of Asian Art Association is an all-volunteer organization that connects its members and the community to educations, cultural and social events tied to Asia and its diverse art forms and culture. Enjoy year-round activities and meet new friends who share similar interests by becoming a member. All are welcome to the activities but members get special discounts and perks. Go to [email protected] for details.
Superb hotel in a prime location of Lucknow
Superb hotel in a prime location of Lucknow. Its one of the best luxury hotels in Lucknow. We stayed in a king-club room which had access to Regency club. From check-in to check-out, the experience was pleasant. In room dinning is great – we tried white pasta and it was served fresh.nnThe concierge guys are a bit rude. So plan your airport travel carefully.nnRocca is an awesome restaurant to have buffet. Food spread is great – both continental and Indian cuisines. They have 2 other exclusive restaurants. nHotel is ideal for infants as its quite & clean.
Krakow Gastro Capital
Kevin Pilley 7 hours ago Share
Warsaw may have the “Michelin” stars but Poland’s royal city now has the status.
Krakow is the European Capital of Gastronomic Culture 2019, beating off Lisbon for the honor conferred by honorris-based European Academy of Gastronomy.
Says Michal Sobieszuk, founder of “Eat Polska” which offers four hours, 1.5 miles, 10- stops escorted food crawls around the city which has been on the UNESCO World Heritage site since it began in 1978: “Krakow is great for restaurants. It’s relatively compact, very walkable and boasts one of the strongest street food scenes in Poland.”
Food tours are becoming popular in Poland, catering not only to tourists but Polish “jedling”- foodies.
All over Krakow, a new generation of foodies is Instagramming their goose blood soup and proudly Facebooking Charznice cabbage heads. The latest brains ( sweetbreads) are being posted and unforgettable regional sausages uploaded. Stale bread soup and tasteless pork cutlets are no longer Poland’s culinary celebrities.
After years of unrelieved fermented cabbage and pickled cucumbers, a wind of change is blowing through Polish haute cuisine -“ wykwintna kuchnia”.
And everyone is wishing each other “Smacznego!” – Wishing you tastiness.”
“The past is back. But is not bad. Hospitality is in our blood. We need to feed people,” says Karolina Milezanowska of haveabite.com – the city’s gastro portal which publishes a foodies’ map.
“Palates are getting more educated. More demanding and more curious.” Copernicus, Krakow gastronomic capital
In 2013, Warsaw’s Wojceich Modest Amaro became the first Polish chef to be accorded a “Michelin” star. Now Krakow’s chefs de cuisines at luxury hotels are leading the fine dining experience with “degustacja” menus which represent the best value for haute cuisine anywhere in the world.
Once it was only the nobility who ate well. Now the people do. As well as tourists.
Michelin-recommended Marcin Filipkiewicz of the “Copernicus Hotel” has cooked for “rulers, prelates, artists, and actors”. His heroes include Alain Ducasse and culinary revolutionists, Peter Gilmore and Grant Achatz. He offers a 12-course taster menu (£80) including “duck with chicory boiled in red-orange and hibiscus.”
“While appreciating our cooking traditions, I’m trying to get away from stereotypes,” says the author of his country’s best- selling fine dining cookery book. “People don’t associate Poland with fine dining. That’s so wrong. Chef Podroza
“The chef to Prince Alexander, Stanislaw Czerniecki produced our first cookbook in 1682 – “Compendium Ferculorum”. We have a rich gastronomic heritage and we are rediscovering it. And re-interpreting it.”
Events are planned throughout 2019. Adds Filipkiewicz : “ It’s not just the tourists we must cater to. We must focus on the Poles. Polish Chefs are hungry for success.”
The 29-room boutique “Copernicus” with its en-suite Romanesque murals in the former Polish capital’s first “Relais & Chateaux” property. Past guests include Prince Charles and ex-President George W. Bush.
Sister “Hotel Stary” is the only place in Krakow where you can breathe sea air. Its cellar spa has a Dead Sea salt wall. Its restaurant offers filet of rosefish and deer with pumpkin, passion fruit smoked chocolate and port wine chili sauce.
“Pod Roza” (Under The Roses), has played host to Russian Tzars. Chef Milosz Grabowski trained under Michelin 2 chef, Arnauld Bignon. Krakow has twenty-five Michelin-recommended restaurants.
Historic spaces are now restaurants. With its original leather and silver flake golden cordovans, coffered ceilings and ornate ceilings, the “Wierzynek” boasts an “attribute exceptional atmosphere”. A scene of a 20-day feast thrown in 1364 by King Casimir the Great for other monarchs, chef Michal Hajdu’s seasonal menu includes dumplings with hare (£12) and venison saddle.
Also in Europe’s largest market square, the thirteenth century Rynek Glowny, is “Szar Ges” (Grey Goose) with chef Michal Stezalski’s signature dessert, a milk chocolate goose egg with a mango mousse yolk. Goose is a specialty in November throughout Krakow.
Starters include a creamy foie gras, baked apple, and cider emulsion as well as beef tartare with lovage mayonnaise and spicy pickles. Mains include glazed goose leg and prunes.
Pod Aniolami” (Under The Angels), also close to the thirteenth-century main square- Europe’s largest, is in a thirteenth-century cellar and former goldsmith’s workshop. Its menu tempts you with wild boar steak in juniper marmalade.
Traditional dishes like “globaki” (cabbage rolls), “bigos” (big mess hunters’ stew), “ barszcz” ( Polish borsht), “pierogi” (small ear ravioli dumplings from Ukraine) and “sernik” cheesecake are still popular. But the end of austerity has brought elegant dining at relatively austere prices.
A budget destination now offers a hearty, haute cuisine which undercuts all others.
Some of the Soviet era egalitarian diners – “mclezny” milk bars – are still there and state-subsidized offering two courses for £3. Polish wines
Polish cuisine’s early influences were Eastern. From the sixteenth century, Asian spices were used. Partitions and assimilation into the Russian, Prussian and Austrian empires have left their marks on tablecloths. Queens brought new recipes.
French and Indian restaurants appeared in 1990. But the post-Communist culinary revolution started with hamburgers at the now no more “Love Krowe” (“Love A Cow”). Then came Vietnamese immigrants. Swiss and Italian confectionaries returned and “decadent” pastry shops reappeared.
Damian Suraweic opened “Euskadi” over the Vistula river in Podgorze. Amongst many tapas dishes, he offers prawns from Venice, Basque tapas and a Campari sorbet. He believes food is a cultural force, providing identity. He is targeting locals.
“We are trying to build new eating behavior. Quality over quantity. But Polish food is still simple and uncomplicated.”
There are now cookery school and pierogi power workshops. And even a bagel museum where you can roll ( “Sulka”) and braid ( warcocz”) your own Kracovian bagel. Says curator Maria Krzyzek-Siudah. “ The obwarzanek symbolizes of the city.“t “Obwarzac means „to parboil”. This stops the yeast from growing and so obwarzanek can keep its shape and be soft inside and crispy on the outside.
In`1257 Boleslaw the Chaste granted “jatkiepiekanski” ( bagel makers) their own guild. And a tower to defend. Now 150000 are made and sold every day in Krakow.”
Near Wawel Castle, the seat of Polish kings for five hundred years, Pod Barinem’s owner/ chef Jan Barinem offers home cooking out. the traditional starter is wild mushroom soup served in a bread bowl. “ Our Sirloin a la Barbican harks back to medieval Poland. The bacon wrap defends the delicacy of the meat. We also have zurky sour rye soup with egg and sausage as well spare ribs wrapped in braised cabbage with cep sauce.”
At the 800-year-old Stary Klepatz, farmer’s market stalls sell dried forest mushrooms, rustic sausages and farmhouse cheeses like oscypek.
Just outside the city, the 28 hectares 2008 Srebrna Góra vineyard under the Camaldolese Hermit Monastery in Bielany is reviving tenth-century monastic viticulture.
Poland has come a long way from milk soup, dry crackers, jellied pork knuckle, CCCP inspired 100% fat “Smalec” lard spread, huge slabs of black rye “chleb” bread, watery broths, limp plastic sausages, and indigestible dumplings.
Every Woman Can Learn From Shriya Saran Fashion Profile
Every Woman Can Learn From Shriya Saran Fashion Profile Home » Celebrity » Fashion Statement » Every Woman Can Learn From Shriya Saran Fashion Profile
By now, you’ve probably noticed Shriya Saran’s killer sense of style. And when it comes to mixing modern couture with ethnic wear, Saran is the go-to-girl. In a span of few years, the actress has mastered both Indian and western glam looks, and we’ve learnt a lot from her ensembles alone. Scroll through several of Shriya Saran fashion profile for best tricks. Then, find out how to nail Saran’s style one outfit at a time. About Shriya Saran:
Shriya Saran was born in Haridwar on 11th September, 1982 to parents Pushpendra Saran Bhatnagar and Neeraja Saran Bhatnagar. Her father was working under Bharat Heavy Electricals Ltd while her mother was a teacher under Chemistry Department at Delhi Public School, Ranipur and Delhi Public School, Matharu Road, respectively. Her elder brother Abhiroop Saran works in FCB Ulka Advertising Ltd. Mumbai.
Apart from acting, Saran is also a talented dancer. She was trained by her mother in Rajasthani folk dance and Kathak. Later she trained under Shovana Narayan to learn Kathak dance. Together they incorporated social issues along with the dance routine. Personal Life:
Let us now reveal more of Shirya Saran’s personal details: Shriya Saran Biography: Shriya Saran Age And Date Of Birth (36 years) 11th September, 1982 Place Of Birth 5 feet 6 inches, 168 m Shriya Saran Weight Chapatti And Curry, Fish, And Thai Cuisine Place Shahrukh Khan, Amitabh Bachchan, and Rajnikanth Actress Jeffrey Archer books and Gone with the Wind by Margaret Mitchell Car Audi 7 Professional Career:
Debut: Telegu: Ishtam (2001), Tamil: Ennaku 20 Unakku 18 (2003), Kannada: Arasu (2007), Bollywood: Tujhe Meri Kasam (2003), Malayalam: Pokkiri Raja (2010), Hollywood: The Other End of the Line (2008)
Net Worth: $14 million
Remuneration: 1 crore per film Education:
School- Delhi Public School, Ranipur, Haridwar, Delhi Public School, Mathura Road, New Delhi.
College- Lady Shri Ram College for Women, New Delhi, Bachelor of Arts (English). Occupation:
Shriya Saran is an Indian actress and presenter known for her notable works in South Indian films, Bollywood, and Hollywood. She spent her childhood days in Dehradun, Haridwar. She initially wanted to pursue a career as a dancer but that changed later.
In 2001, she debuted in a Telugu movie, Ishtam but experienced her first success with Sathosham in 2002. Titles:
Take a look at the awards and recognitions made by Shriya Saran till date: Film – Year Vijay Award for Favourite Heroine Favourite Heroine Stardust Exciting New Face Award Kanthaswarmy Thoranai – 2010 Vijay Award for Favorite Heroine Favorite Heroine
Here is a glimpse of Shriya Saran’ fashion profile in recent times:
1. Showstopper For Ashwini Reddy at Bombay Times Fashion Week:
Shriya Saran walked the ramp as a showstopper for the Hyderabad designer Ashwini Reddy. She wore the stunning ensemble with Tyaani jewellery and curly waves.
2. In A Silver Fringe Midi-dress:
Seen in the image is the actress wearing a silver fringe dress matched with a minaudière, jewellery, and ankle-strap heels.
3. In An Anita Dongre Saree:
At Fashion Week, Anita Dongre is seen wearing an Anita Dongre saree matched with earrings and Dior minaudière.
4. Wearing Manish Malhotra At Lakme Fashion Week 2017:
Shriya Saran sashayed the ramp at Lakme Fashion Week wearing Manish Malhotra couture. The shimmering gold gown with matching clutch makes her look no less than a goddess.
5. In A Kartikeya Dress:
At the Santhosham Awards, Shriya Saran was seen wearing a Kartikeya dress with a three-tiered sheer bottom. Beauty:
Shriya Saran Makeup Tips is pretty simple and achievable. One of her all-time favorite ritual is using rosewater for instant glow. She carries the rose water in a small mist bottle and uses it on her face whenever she can. The actress uses the rose water with glycerine as a toner.
For cleansing her skin, she uses a mixture of besan with yogurt or turmeric.
Her other favorite makeup essentials include mascar, eyeliner, and kajal. Fitness:
The South Indian beauty loves a fitness routine that puts focus on her abdomen. She works hard to maintain a toned body. One of her favorite workout routine involves 45 minutes of cardio. Here is a breakdown of Shriya Saran Fitness Secrets.
Shriya loves yoga and practices it daily to lose weight, tone muscles, and mental stimulation. She believes it brings calmness and balance.
Does power yoga and Iyengar yoga for toned arms and washboard abs. Diet Plan:
Shriya limits her intake of sugar, salt, and sweets. She takes chocolates sometimes but in moderation. Another favorite food of hers is fish whether steamed or baked. For that reason, she absolutely loves Malabar and Goan cuisine.
Now let us take a look at the breakdown of Shriya Saran’s diet plan daily: Breakfast- Porridge, egg white omelet, and paratha Lunch- Rice, dal, and lady finger Snacks- Almonds and fruits Dinner- Roti and veggies
She finishes off her dinner by 8 pm and does not snack on anything after that. Brand Endorsements:
Here are the brands that Shriya Saran has endorsed so far: Lux
Food Trends To Know In 2019
Food Trends To Know In 2019 Featuring kelp noodles, seed butter and soy-based jerky by Ellie Smith 0
Last year was all about nut milks, poke bowls, gut-friendly foods and vegan cuisine – so what’s on the cards for 2019? Here are this year’s hottest food trends…
Sri Lankan cuisine
Restaurants like Hoppers and The Coconut Tree , as well as M&S’ Taste Asia range, put Sri Lankan food on the map in 2018, and it’s likely to become increasingly popular this year. “Before, Sri Lankan was lumped in with Indian cuisine but now, we’re not having an “Indian” anymore. It’s recognised in its own right,” says Emma Weinbren, food trends editor at retail magazine The Grocer . We’re going to be seeing more of dishes like kottu roti (fried vegetables, eggs, shredded roti and curry), and hoppers (bowl-shaped rice flour pancakes).
Meat-free and faux meat
Our attitude towards meat has changed dramatically in the UK in recent years, with plant-based eating, vegetarianism, veganism and flexitarianism on the rise. According to data seen by M&S, 3.5 million people now identify as vegan, 20 per cent of under-35s have tried veganism, and 25 per cent of our evening meals are now meat-free. Food outlets are changing to meet modern demands, and we’re seeing more and more meat alternatives appearing on menus. This year Whole Foods predicts the rise of jackfruit, which is regularly used in place of items like barbecue pulled pork, as well as faux-based meat snacks such as soy-based jerky and mushroom ‘bacon chips’.
“While plant-based foods aren’t exactly a new trend, our experts noted more people — even those who don’t eat only vegan or vegetarian — are exploring plant-based snacking as their palates crave adventure, want a break from meat or seek more ways to add savory umami flavors into snacks and meals,” Whole Foods says. London’s Best Vegan Restaurants
Praised for its health benefits, CBD oil is hot right now, with devotees swearing it helps with everything from sleep to pain relief. This year Whole Foods predict we’ll see more and more hemp-based products gracing the shelves: “Hemp-derived products are going mainstream, if not by wide distribution, then by word of mouth.”
Seed Butters GettyImages
We won’t be saying goodbye to the hugely popular nut butter market, but seed butters will be joining the party this year. You can expect to see sunflower, pumpkin, and watermelon seed butters gracing the shelves, offering an alternative for those with nut allergies.
Guilt-free frozen treats
From vegan treats to low-calorie tubs, health-conscious individuals relished the increase in guilt-free frozen goods in 2018. This year brands are set to take things a step further by experimenting with new ice cream bases such as avocado, hummus and tahini.
The battle against food waste isn’t a new one, but it’s set to gain more momentum this year, with wonky fruit and vegetables en route to going mainstream. Food once destined for the bin is now making its way onto high-end menus, with Mayfair hotspot Scully using corn silk to make syrup – the sort of thing we’re going to be seeing more and more of in 2019. Ocado buyer India Moore said: “We’re seeing exciting products made using misshapen fruit and veg that would otherwise go to waste, such as crisps and hummus. Eco-friendly searches on ocado.com leapt 93 per cent last year, and we can see this ‘rescued food’ trend gaining momentum in 2019.”
In part thanks to the eye-opening Blue Planet (which highlighted the estimated 8 million tonnes of plastic waste which enters the seas each year), an increasing number of consumers are demanding recyclable, eco-friendly packaging. Waitrose now stock two new organic Chateau Maris wines in recyclable cans, while Carlsberg is gluing its cans together to create an easily snap-able bond, which will apparently remove 1,200 tonnes of plastic waste annually.
This year, Whole Foods predicts there will be “an even bigger emphasis on reuse”, with more outlets encouraging customers to bring their own bags, banning straws and reducing single-use packaging. Starbucks are saying goodbye to their iconic green straws, while Walkers are starting a recycling scheme for crisp packets in collaboration with Terracycle while they work on creating new types of recyclable packaging. “Some movements start as trends, then become necessities,” Whole Foods writes. “This is one of them.”
Pacific Rim-inspired flavours GettyImages
Goji berries and acai, make way: guava, starfruit and dragon fruit are on the up, coming soon to a smoothie bowl near you. According to Whole Foods, Pacific Rim flavours are going to dominate the shelves in 2019, with a rise in flavours from Asia, Oceania and South America.
Upgraded snacks GettyImages
This year snacking will get a fancy upgrade, and we’ll be seeing more bite-sized luxury treats like prosciutto and aged mozzarella. To meet the increasing desire for “portable snack packages”, Whole Foods predict childhood snacks will return as new and improved versions, like gluten-free organic puffed rice treats and snack packs of cheese and crackers.
Whole Foods believe ocean-inspired greens, like seaweed butter and kelp noodles, are set to become big news. They also predict we’ll see more “puffed snacks made from water lily seeds,” as well as plant-based tuna alternatives, crispy salmon skins, and kelp jerkies.
Bread Baking GettyImages
If you’ve always dreamed of baking your own bread on a Sunday afternoon, 2019 may well be your year. According to Pinterest’s 100 top trends for 2019, bread baking is on the rise – particularly when it comes to fermented loaves like sourdough.
Low and no-alcohol cocktails aren’t just for January. More and more of us are choosing to cut down our alcohol intake year-round, with the number of teetotal young people in the UK doubling in a decade. This year we’ll be seeing non-alcoholic spirit Seedlip pop up on cocktail menus around the country, alongside beverages with low ABV content.
Food from the ‘Stans
According to Baum + Whiteman, we’ll be seeing new spins on dishes from the likes of Uzbekistan, Azerbaijan and Kazakhstan – think dumplings stuffed with tarragon, cilantro, dill and spinach, as well as fancy new noodle creations.
Chefarmers and Chef Activists
More and more restaurants and hotels are partnering with urban city farms and local farmers to grow fruit and vegetables for them, hence the growing trend of the ‘Chefarmer’, who farms with menus in mind. There has also been an increase an chefs taking on activist roles on issues such as the environment and disaster food relief, which we’ll likely be seeing more of in 2019.
I’m from the UK and lived in KC the last few years. I grew up with curry and ignore anyone who says the national cuisine of Britain isn’t curry/Indian. It absolutely is, in regards to what people are passionate about and like to eat when out anyway. Places like Glasgow, Bradford and Birmingham are particularly Indian food meccas. With that being said please don’t think I’m an authority or anything, this is purely my opinion, I’ve just eaten at a lot of Indian/Pakistani places my whole life. So I’ve tried most Indian places in the metro and in my opinion the best is probably Kurry Leaves in Overland Park. Note though that this place is more Pakistan focused, with Islamic cuisine being at the forefront (not the more Hindu based Indian). They still do all the staples though! They do terrific biryani and definitely the tastiest tandoori chicken in the area in my opinion. I also recommend gulab jamun for dessert, they are so addictive! I recommend trying the lunch buffet there as a good introduction to the cuisine. In fact I’d recommend that at any of the notable Indian restaurants in the metro first time. Swagat in Zonarosa does a great lunch buffet too, great Pakora there and a good selection of stuff. Regarding Seva which seems to be a popular recommendation you’ve got, I thought it was decent, but maybe more western/American watered down in regards to authentic taste. Once again just my opinion and no offense to people who really like it. It’s good, but I just think a little bland. Same with Chai Shai, it’s more upmarket and expensive, but it seems to me it’s very much adapting Indian food for the more upscale/holistic American market. Kinda get the vibe of a white dude back packing in India, loving the food and trying to take it back to the US in a posh part of town. It’s tasty! But… I think less authentic in regards to what Indian curries are really truly like. At least in the UK! Anyway there’s my input. Either way wherever you go I’m sure you’ll love it, I wish more Americans ate curry as they are for sure missing out on some great food.